Introducing Atlee

The range of what you can do with knitting is so broad and varied - colorwork, cables, lace, brioche, intarsia, etcetera. I love a good complex knit, but sometimes you want a palate-cleanser - something simple, just knits and purls - and why not make it in white?

In comes Atlee, my newest design for Quince & Co. - a simple, soothing tee. In Quince's Cleaner Cotton™ Willet, with an a-line shape, scooped neckline and textural details in the yoke, Atlee is a picture-perfect essential for easy days in the sun.

The tee is worked in the round from the bottom up and split for arms, with the ribbing picked up and worked after a three-needle bind-off at the shoulders. Simple tee, simple construction. Easy enough that you could make one in multiple colors! Which is good, because I want to knit one for myself, but how do I choose between Dinghy, Windlass, or Oar?

Atlee is available for $6.00 USD from the following online shops:

Quince & Co.     |     Ms. Cleaver Creations      |      Ravelry

If you knit it and participate in social media, use #quinceatlee to share and/or tag me @mscleaver !  

I'd love to see your version!!!

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Introducing the Paper Bird Shawl

I'm pleased to introduce the Paper Bird Shawl - part of Quince and Co's annual Shawl Week and the second in my Songbird series of shawls inspired by music.

Paper Bird is simple to knit, but results in a graceful and dramatic shawl, with biased fabric framed by clean ribs and a distinctive edge of sharp points. Knit in Quince & Co's silk/wool blend Tern, the shawl has gorgeous drape. The shawl can be worn spread out as shown, or the shawl's texture makes it easy to fold up and wear as a cozy scarf.

After the ribs are firmly established, the knitting flows easily off the needles. In some ways, the story for the inspiration behind this pattern is longer than the actual pattern itself.

Do you, do you remember? That time you told me you would unfold me like a paper bird?  -Heather Maloney, Word for Word

While listening to the song "Word for Word" by Massachusetts-based singer-songwriter Heather Maloney, I was struck by the phrase "Do you remember that time you told me you would unfold me like a paper bird?"

If you've known me for any length of time, chances are you've seen me make a paper crane ranging in size from over a foot tall (from flip-chart paper) to smaller than your pinkie nail (from a post-it). 

When I was ten or so, I read Sadako and the Thousand Paper Cranes in school, which tells the story of a young girl who gets cancer as a result of the Hiroshima bombings and begins folding paper cranes in line with a Japanese legend that a wish will be granted to anyone that folds 1,000 cranes. We learned to fold cranes in class and while I haven’t been striving for any specific wish, I have probably made nearly a 1,000 cranes since that day. But I don’t know that I ever unfolded one, it seems sacrilegious somehow.

The Paper Bird shawl is my attempt to capture the elegance of a live bird’s wing, along with sharpness and folds of its origami counterpart. Through the combination of ribs and bias stitching, the shawl takes on the quality of unfolded origami.

The pattern is available for $6.00 USD from the following online shops:

Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincepaperbird to share and/or tag me @mscleaver !  

I'd love to see your version!!!

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Finishing Your Knit with a Folded Hem

Stockinette St is one of the most basic of knitting techniques. It creates a smooth fabric of knit stitches, but if it has one shortcoming, it's that it's curls. 

Usually this is counteracted by adding an inch or more of ribbing to hems, which works great in most cases, but does look, well, ribby. But what if you really want to embrace the smoothness of Stockinette, without having a curling hem, what do you do?

Enter the folded hem. 

Though it requires a little extra yardage and a bit of hand sewing, the folded hem easily gives a smooth, clean finish on both sides of the fabric and can add a bit of heft/stability to a collar or button band, as the fabric is doubled. A folded hem can be put in place of a rib hem by following a few simple steps.

For simplicity's sake, these instructions will refer to a hem, but the same technique can be used for collars and front facings. 

Working from the top down:

1. Work pattern as described to beginning of where the rib would begin. 
2. Work in Stockinette (or pattern) stitch to desired finished body length or length of original rib.
3. Next wrong side (WS) row, knit. This will create a line of purl stitches on the right side.
4. Work in Stockinette st for desired length of inside hem. This could be the same length as the ribbing would have been or shallower or deeper, as you desire. For comparison, on the Ocaso cardigan shown here,  the front bands are 2" wide/deep, while the sleeve hem and body hem are 1".  All fabric after the purl line is the facing. 
5. Bind off.
6. Block garment.
7. Fold facing toward inside of garment along the purl line. 
8. Pin to body of garment, making sure facing lies flat and is evenly distributed.
9. Using a whipstitch every 2-3 sts/rows, attach facing to body of garment. If you picked up stitches for the band, there should be a clear line to attach the facing to, otherwise, when pinning, eyeball a row of stitching and stick to it to maintain an even hem.
10. Weave in ends and block again as needed.
11. Enjoy your smooth hem!

Working from the bottom up:

1. Cast on number of body stitches. If the number changes from ribbing to first row of the body, use the body number.
2. Work in Stockinette st for desired length of inside hem. This could be the same length as the ribbing would have been or shallower or deeper, as you desire. For comparison, on the Ocaso cardigan shown here, the front bands are 2" wide/deep, while the sleeve hem and body hem are 1". 
3. Next wrong side (WS) row, knit. This will create a line of purl stitches on the right side. All fabric before the purl line is the facing. 
4. Work in Stockinette (or pattern) stitch to length of facing or length of original rib.
5. Work garment as described.
6. Block garment.
7. Fold facing toward inside of garment along the purl line. 
8. Pin to body of garment, making sure facing lies flat and is evenly distributed.
9. Using a whipstitch every 2-3 sts/rows, attach facing to body of garment. If you picked up stitches for the band, there should be a clear line to attach the facing to, otherwise, when pinning, eyeball a row of stitching and stick to it to maintain an even hem.
10. Weave in ends and block again as needed.
11. Enjoy your smooth hem!

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Ready to Give it a Try?

These patterns include folded hems.

Ocaso - PDF Pattern

$8.00

Kaeryn - PDF Pattern

$6.00

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Introducing Ocaso

Meet Ocaso!

Fun to knit and easy to wear, Ocaso is the perfect summer cardigan.

Ocaso takes a traditional shape and uses knitterly techniques to construct it in a way that only knitting can. The garment starts off in a similar fashion to a pi-shawl, but is transformed into a boxy kimono shape though the use of short rows. Worked in a smooth cotton yarn (Quince & Co's Willet), the cardigan is warm enough to ward off summer breezes, but not too hot for warmer days.

The sweater is worked in one piece from the neck down. It begins with a circular yoke that is transformed into a square using short rows. The front and back body are joined in the round and knit downwards, as are the sleeves, all of which are finished with a folded hem. A wide folded band is picked up and knit along the front opening and neckline.

Ocaso actually began life as the Leading Bird Shawl. I was working with pi-shawl shaping and got stuck on how I wanted to do the border. I was texting ideas with Bristol Ivy and she suggested I "change the direction"  and then I thought I could use short rows to change the circular shapes into a rectangular one. While that didn't happen in the shawl, I couldn't shake idea and though it could work wonderfully in a boxy- kimono-style shape and, thus Ocaso was born! 

The unique construction makes it fun to knit, while the stockinette lets the shaping show and keeps it simple. Folded hems keep the lines clean. Never worked a folded hem before? Don't worry! There's a tutorial coming later this week!

The pattern is available for $7.00 USD from the following online shops:

LoveKnitting   ||    Ms. Cleaver Creations    ||    Ravelry

Ocaso is on sale on Mscleaver.com and Ravelry from now until Saturday, June 4 2016 for just $5.00 USD

If you knit it and participate in social media, use #ocasocardi to share or tag me @mscleaver !  

I'd love to see your version!!!

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Me-Made May Week 4th and Final Thoughts

So 31 Days and 28 selfies later - I've come to the end of my first Me-Made May. While I won't miss the selfies (there are only so many ways to take a quick photo of yourself and show what you're wearing), it was a fun experiment. 

I did manage to wear handmade items everyday, though the 30th was close, because I was in my jammies most of the day and only threw on a pair of jeans to take LMC to the park.

This morning I thought, "I can wear anything I want!" and grabbed a favorite RTW shirt and a me-made skirt, so I think it's safe to say that wearing handmade is just a part of what I do. 

And I have more garment pieces than I thought. Because I'm kind of a data/spreadsheet geek, I decided to make some charts, and then turn them into an info-graphic (like you do...). 

All told, I wore 51 handmade items, of which 35 were distinct items and 16 were repeats.

The items I wore were created over a span of eight years, with a notable drop in items made in 2013, when LMC was born, and 2014, when I was mostly sewing baby clothes. 

Perhaps unsurprisingly, I wore handmade sweaters more than any other garment type and my own designs made up 12% of the total items I wore (helped along by my brand-new Ocaso cardigan, which I can't stop wearing and will talk about more tomorrow). 

Other than that, my Me-made trophy goes to Colette Patterns, which supplied six separate garments from four different patterns. You can see some of the other figures in the charts below.

The process also confirmed my wardrobe planning needs, namely bottoms (shorts/pants) and basic tees. Good thing I have some fabric and patterns ready to go!

While I don't know that I would do the month of selfies part again, I definitely enjoyed scrolling through the hashtags on Instagram and seeing what everyone else was making and getting ideas for new patterns I want to try (Datura Blouse and Fancy Tiger Sailor Top, I'm looking at you!).

Did you participate or follow along? What did you think of the experience? Would you do it again?

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Me-Made May Weeks 2 & 3

We're in the home stretch now, with only a week left to go! I'm officially in the land of repeats now, but still going strong. The changeable spring weather in Maine means I can still wear sweaters and some of my summer tanks. :) 

As before, outfit details are on my Instagram account. And you look, you can see a sneak peak of my next knitwear design, (which should be out next week) as well as another look at the Fireside Shawl!

How are you doing, if you're participating? Ready to wear something different? Energized to keep carrying on?

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Introducing the Fireside Shawl

As a reader, wanna-be author, and daughter of a librarian, I have always loved books. So I'm beyond thrilled to actually be in one myself!

Weekend Wraps is the third collaboration between Cecily Glowik MacDonald and Melissa LeBarre (following Weekend Hats and New England Knits) and features 18 quick-knit shawls, cowls, scarves and shrugs from 15 designers. The book is due out in August, but is now available for pre-order from Amazon or your local bookstore or yarn shop. 

The book focuses on accessories knit in worsted weight or heavier yarn, that result in beautiful knits that take only a little time but are big on style. My contribution to the collection is the Fireside Shawl.

The Fireside Shawl is generously-sized and features triangles upon triangles upon triangles. Garter stitch borders and a knit-stitch heavy pattern means that purling is limited. A easily memorizable repeat and worsted weight yarn (shown here in Spud & Chloe Sweater) make for a quick and cozy knit.

The book also includes designs by Amy Christoffers, Angela Tong, Bristol Ivy, Carrie Bostick Hoge, Cecily Glowik MacDonald, Emma Welford, Jocelyn Tunney, Kate Gagnon Osborn, Kristen TenDyke, Leila Raabe, Melissa LeBarre, Rachel Stecker, Tanis Gray and Thea Coleman.

You can check out all the designs and queue up your favorites on Ravelry. 

All photos courtesy of Interweave
 

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Me-Made May: Week One

Me-Made May has been around for several years now, since 2010, and I had always intended to participate, but never really got around to it. So this year, I finally got my act together and went in whole hog. 

For those unfamiliar with Me-Made May, the link above gives a good overview, but in short, the idea is to wear your handmade garments/accessories everyday for the month of May. Some people chose to wear one handmade item, others to only wear handmade. 

I knit my first sweater in November 2007 and started regularly sewing a few months before that. In the nine years since then, my wardrobe has gotten to a point where about 75% of it is handmade. When I told Mr. Cleaver about participating in this challenge, his response was "Well, that won't be hard for you."

And in truth it's not really. If you start from the basics all my underpinnings (bra, underwear, socks) are handmade, so I check that box on a daily basis. So my goal for Me-Made May has been to have the majority of each day's visible outfit be handmade. 

You can see the outfits thus far above. I have been doing the daily selfie thing (which isn't a requirement), but if you're interested in details of each outfit, I've been posting them on my Instagram account. I'll also be doing a more detailed roundup (with charts!) at the end of the month. 

Are you participating in Me-Made May? I so so, shout out (or link) below!

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Selfish Stitching

I have, to a certain extent, turned my hobby into a job. It's certainly not my full-time job, but it does have responsibilities and deadlines, etc. that knitting for oneself just doesn't has.

The danger of turning one's hobby into a job is losing the joy you had in that activity in the first place. Burn out for artists is nothing new, and it's nothing new to me. I watched myself go through it with theatre and it wasn't something I wanted to go through again with knitting. 

In the past six months, I have been working more intensely on my knit design work than I have since I started doing it back in 2010. It's been exciting and challenging, and at times frustrating. But the thing that has kept me grounded is selfish-stitching. Doing something just because I want to, with no deadline at the end of it, no need to sell anything, has been imperative. It doesn't even have to be something for me (for example, I knit Mr. Cleaver a pair of socks), it just has to be something I want (not need) to do. 

When I started selfish-stitching, I had thought to limit it to Sundays, but my methodology has shifted somewhat. It's now more about when I need it, or there's a found moment, rather than anything scheduled. Little moments of joy sprinkled throughout my week.

You can see the joyful fruit of my labors above. A beautiful embroidery of encouraging words stitched, in part, with my daughter; simple socks for a grateful recipient; less simple socks for me; a project bag in a fabric that always makes me smile; and a teeny tiny skein of yarn, spun just to feel fiber between my fingers. Things both useful and purely decorative.

I'm proud of all the other things I'm working on, the things I can't show you yet. They've expanded my skills as a knitter and a designer. They are beautiful and I can't wait to share them. Each one of my designs holds a special place in my heart, but each one of these little "just because" projects does too. 

FO: Ready for my Roman Holiday

Sometimes you have to look at a project and wonder, why did it take me so long to do that?! Case in point: this skirt.

As I mentioned before, I'm participating in The Craft Sessions' Stash Less prompts, which got me looking at what I already had on hand and doing some project planning around it. This project was so easy to sew and I'm so in love with the final result that I'm kicking myself for not sewing it ages ago.

So how long was the journey to this skirt being made? Thanks to the near never-ending archive that is my Gmail account/this blog, I can pretty much tell you down to the day!

The outer fabric I purchased in October 2010 for $5, from, get this, someone else's stash. So, in truth, this fabric had quite the journey before it even came to me. I fell in love with the print immediately, so even though I only spent $5 on it, it felt too precious to cut into.

But it's a pretty light-weight/slightly see-through fabric, so I needed to find an appropriate lining before I could sew it, right? Nope!

I've had some absolutely gorgeous silk charmeuse since at least September 2011, which I must have had for a while, because I already referred to it as being in my stash at that point. I did have a small moment of regret, when I had cut it up as the lining and was sewing it together, when I remembered that it had been intended for a slip I had the pattern traced out for, but I think I'll still get a nice camisole out of the leftovers, so no foul there. 

I had all the fabric then, so I was just waiting for the perfect pattern, right? Wrong. I've had Colette Patterns' Zinnia in my possession since September 2013.  

Okay, so granted in September 2013, I had a 6-month-old and wasn't doing a ton of sewing that wasn't baby-related, but still, from time of original fabric purchase to finished project we're looking at five and half years, or two and half if you count when I found a good pattern match. 

And the Zinnia pattern was a perfect fit. It was simple enough to show off the fabric, it had pleats (which I find infinitely more flattering than gathers) and it was lined and though maybe not perfect, I had a zipper and button on hand that would work and no other notions needed. 

As for the finished product? I adore it. I'm still in love with the print, the lining feels divine, it's swingy, and the fit is good. It also looks pretty swell with my Prairie Wife Cardigan too. This skirt makes me feel like I should hop on the back of a Vespa and be chic and charming in Rome. Definitely worth the wait.

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