FO: Ready for my Roman Holiday

Sometimes you have to look at a project and wonder, why did it take me so long to do that?! Case in point: this skirt.

As I mentioned before, I'm participating in The Craft Sessions' Stash Less prompts, which got me looking at what I already had on hand and doing some project planning around it. This project was so easy to sew and I'm so in love with the final result that I'm kicking myself for not sewing it ages ago.

So how long was the journey to this skirt being made? Thanks to the near never-ending archive that is my Gmail account/this blog, I can pretty much tell you down to the day!

The outer fabric I purchased in October 2010 for $5, from, get this, someone else's stash. So, in truth, this fabric had quite the journey before it even came to me. I fell in love with the print immediately, so even though I only spent $5 on it, it felt too precious to cut into.

But it's a pretty light-weight/slightly see-through fabric, so I needed to find an appropriate lining before I could sew it, right? Nope!

I've had some absolutely gorgeous silk charmeuse since at least September 2011, which I must have had for a while, because I already referred to it as being in my stash at that point. I did have a small moment of regret, when I had cut it up as the lining and was sewing it together, when I remembered that it had been intended for a slip I had the pattern traced out for, but I think I'll still get a nice camisole out of the leftovers, so no foul there. 

I had all the fabric then, so I was just waiting for the perfect pattern, right? Wrong. I've had Colette Patterns' Zinnia in my possession since September 2013.  

Okay, so granted in September 2013, I had a 6-month-old and wasn't doing a ton of sewing that wasn't baby-related, but still, from time of original fabric purchase to finished project we're looking at five and half years, or two and half if you count when I found a good pattern match. 

And the Zinnia pattern was a perfect fit. It was simple enough to show off the fabric, it had pleats (which I find infinitely more flattering than gathers) and it was lined and though maybe not perfect, I had a zipper and button on hand that would work and no other notions needed. 

As for the finished product? I adore it. I'm still in love with the print, the lining feels divine, it's swingy, and the fit is good. It also looks pretty swell with my Prairie Wife Cardigan too. This skirt makes me feel like I should hop on the back of a Vespa and be chic and charming in Rome. Definitely worth the wait.

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Introducing: Prairie Wife

Sometimes, a yarn and a design just come together like toast and jam. This, for me, is one of those designs. Earlier this year I was contacted by Shalimar Yarns to see if I'd like to do some work with their yarn. A week or so later, I had a sweater's worth of Breathless DK in Silver Sage to work with. This is a ridiculously beautiful yarn, and an utter joy to work with, so I wanted to do it justice with the design. I ended doing way more swatching than usual to get the drape just right. 

I've long been collecting images of pioneer women with the intent of doing some designs around it, and that came to the fore here. I've been especailly entranced by the work of South Dakota painter Harvey Dunn, and the western painting of N.C. Wyeth. Prairie Wife was specifically influenced by Wyeth's The Homesteaders (left) and Dunn's The Prairie is My Garden (right). 

I wanted to capture the feel of these images, do homage to the grace and strength of these pioneer women,  as well as make some nods to western fashion. So I started off the design with the yoke and back box pleat, which is borrowed from Western/cowboy shirts, but made it knitterly and feminine by the inclusion of a floral-inspired lace motif. The pleats and loose-knit fabric keeps its breezy and swingy, while 3/4 sleeve keep your hands free for work. 

I don't know if I'm allowed to say this about my own patterns, but I adore the way this one turned out, which was even better than it originally was in my head. 

Prairie Wife is worked in pieces from the bottom up, with the collar and button bands picked up and worked after seaming. The shaping is all done with the pleats, so the body is simple back and forth Stockinette stitch, until you get to the armsceye/yoke. 

Again, a big thanks to Bristol Ivy for the lovely photos (complete with cows!) and Martha Wissing for the technical editing. 

Pattern Details 

Sizes

Bust Circumference: 33¼ (34 ¾, 36 ¼, 39 ¼, 44 ½, 46 ¼, 50, 53 ¾)”/ 84.5 (88.5, 92, 99.5, 113, 117.5, 127, 136.5)cm. To be worn with 2-3”/5-8 cm of positive ease.

Sample knit in size 39 ¼, with approximately 2”/5 cm of positive ease. (Wondering about ease?- Check this post out!)

Yarn

4 (4, 4, 5, 5, 5, 5, 6) skeins Shalimar Yarns Breathless DK in Silver Sage [75% Merino, 15% Cashmere, 10% Silk]; 270 yds (247 m) per 141g or approximately 1042 (1088, 1145, 1217, 1307, 1336, 1422, 1489) yards of DK weight yarn.

Purchase

Prairie Wife is available for purchase for $7.00 USD via the following methods:

Ravelry  //  Ms. Cleaver Creations  //  Love Knitting (coming soon)

Really love swingy A-line sweaters? FOR ONE WEEK ONLY - get both Prairie Wife and Lady Heartrose for $10.50 (Discount automatically applied to Ravelry purchases. Already have Lady Heartrose? The discount will still apply! Offer good until 10/8/15)

Ravelry  //  Ms. Cleaver Creations

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