Adding A Ribbon Backing to Your Knit Button Band

Adding Ribbon to a Knit Buttonband.png

Why Reinforce A Button Band?

Both of my recent pattern releases, Lady Heartrose and Prairie Wife, suggest that you use ribbon to reinforce the button bands. If you're one of those knitters who hates finishing, you may think why bother?  You certainly don't have to, most of my sweaters to date don't have any kind of reinforcement, but there are several reasons to consider it. 

  1. It will keep your fabric from curling (though ribbing may already take care of that).
  2. It will help prevent gaping at the bust if you intend to button up.
  3. It will help prevent the button band and button holes from getting stretched out over time.
  4. If it's a steeked piece, it can cover up the cut ends of yarn. 
  5. It's a nice little surprise inside the cardigan and looks really pretty!

What Supplies Do I Need?

  1. Your blocked cardigan.
  2. Approximately 2 yards of a sturdy ribbon, such as Petersham, Grosgrain, or other firmly woven ribbon, that just as wide or slightly less wide than your knit button band. If you're doing something like a long sweater coat, measure the length first. (The ribbon used in this post is from Vintage Ribbons on Etsy). 
  3. A sewing machine with buttonhole capabilities. (You could always sew the buttonholes by hand, but this tutorial won't cover that).
  4. The buttons you are planing to use. 
  5. Needle and thread to match your yarn.
  6. Pins or clips.
  7. Seam ripper or button hole cutter.
  8. Fray Check (optional).
Adding A Ribbon Backing to Your Knit Button Band
Adding A Ribbon Backing to Your Knit Button Band

Measuring and Marking your Ribbon

The first thing to do is measure, cut and mark your ribbon. To measure, lay your finished and blocked cardigan on a flat surface. It's very important that the piece is blocked, otherwise the band may be too short. Match the length of your ribbon to the length of the knit band and add an extra inch or so to each side, enough that you can fold it under to make a neat edge (as seen above). Cut a second piece of ribbon to the same length and set aside. The unmarked ribbon will be used to back the button side of the cardigan. Now we'll mark the buttonhole side.

With the ribbon flat against the buttonhole side. Place a pin at the top of each knit buttonhole. If you have a patterned ribbon, you may be able to use the pattern to make your placement more exact/even, but it's more important that the pins line up with the actual knit buttonholes.

Adding A Ribbon Backing to Your Knit Button Band
Adding A Ribbon Backing to Your Knit Button Band

Testing the Buttonhole Size

Using a scrap piece of ribbon and the buttonhole feature on your machine, test out your buttonhole size to make sure the button can fit through easily. The ribbon button hole is likely to be a lot longer than the knit one. 

Once you have confirmed the proper size, mark the ends of the buttonhole on your ribbon (the top being the pin you already put in). 

Use your machine and sew the buttonholes on the ribbon.

Adding A Ribbon Backing to Your Knit Button Band
Adding A Ribbon Backing to Your Knit Button Band
Adding A Ribbon Backing to Your Knit Button Band

Finishing the Buttonholes

Before you slice into them, double check that your buttonholes still line up. If they do use a seam ripper or buttonhole cutter to open up your buttonholes. Adding a drop of fray check to the buttonhole as desired. Set aside to dry if using fray check for the recommended amount of time. 

Adding A Ribbon Backing to Your Knit Button Band
Adding A Ribbon Backing to Your Knit Button Band

Attaching the Ribbon to the Sweater

Fold over the top and bottom of the ribbon, whip-stitching closed as desired, then making sure that the buttonholes line up and both the ribbon and the button band are flat, pin or clip the ribbon to the inside of the button band. Starting on the outside edge, whip-stitch ribbon to knit fabric. To help keep the stitches even, use the knit fabric as your guide, here I did one stitch per knit row. Work your way down the outside edge and up the inside edge, making sure the ribbon lays flat. Unless your button band is very wide, there's no need to tack down the ribbon buttonhole around the knit buttonhole beyond securing the ribbons at the edges.

For more detailed instruction on how to whip-stitch see DMC's embroidery guide).

Repeat process for button side. 

Sew on buttons on across from buttonhole and you're done! Enjoy wearing your snazzy-looking and sturdy button bands!

Adding A Ribbon Backing to Your Knit Button Band


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Introducing: Prairie Wife

Prairie Wife design by Leah B. Thibault for Ms. Cleaver Creations
Prairie Wife design by Leah B. Thibault for Ms. Cleaver Creations
Prairie Wife design by Leah B. Thibault for Ms. Cleaver Creations
Prairie Wife design by Leah B. Thibault for Ms. Cleaver Creations
Prairie Wife design by Leah B. Thibault for Ms. Cleaver Creations

Sometimes, a yarn and a design just come together like toast and jam. This, for me, is one of those designs. Earlier this year I was contacted by Shalimar Yarns to see if I'd like to do some work with their yarn. A week or so later, I had a sweater's worth of Breathless DK in Silver Sage to work with. This is a ridiculously beautiful yarn, and an utter joy to work with, so I wanted to do it justice with the design. I ended doing way more swatching than usual to get the drape just right. 

I've long been collecting images of pioneer women with the intent of doing some designs around it, and that came to the fore here. I've been especailly entranced by the work of South Dakota painter Harvey Dunn, and the western painting of N.C. Wyeth. Prairie Wife was specifically influenced by Wyeth's The Homesteaders (left) and Dunn's The Prairie is My Garden (right). 

The Homesteaders
The Prairie is My Garden

I wanted to capture the feel of these images, do homage to the grace and strength of these pioneer women,  as well as make some nods to western fashion. So I started off the design with the yoke and back box pleat, which is borrowed from Western/cowboy shirts, but made it knitterly and feminine by the inclusion of a floral-inspired lace motif. The pleats and loose-knit fabric keeps its breezy and swingy, while 3/4 sleeve keep your hands free for work. 

I don't know if I'm allowed to say this about my own patterns, but I adore the way this one turned out, which was even better than it originally was in my head. 

Prairie Wife is worked in pieces from the bottom up, with the collar and button bands picked up and worked after seaming. The shaping is all done with the pleats, so the body is simple back and forth Stockinette stitch, until you get to the armsceye/yoke. 

Again, a big thanks to Bristol Ivy for the lovely photos (complete with cows!) and Martha Wissing for the technical editing. 

Pattern Details 

Sizes

Bust Circumference: 33¼ (34 ¾, 36 ¼, 39 ¼, 44 ½, 46 ¼, 50, 53 ¾)”/ 84.5 (88.5, 92, 99.5, 113, 117.5, 127, 136.5)cm. To be worn with 2-3”/5-8 cm of positive ease.

Sample knit in size 39 ¼, with approximately 2”/5 cm of positive ease. (Wondering about ease?- Check this post out!)

Yarn

4 (4, 4, 5, 5, 5, 5, 6) skeins Shalimar Yarns Breathless DK in Silver Sage [75% Merino, 15% Cashmere, 10% Silk]; 270 yds (247 m) per 141g or approximately 1042 (1088, 1145, 1217, 1307, 1336, 1422, 1489) yards of DK weight yarn.

Purchase

Prairie Wife is available for purchase for $7.00 USD via the following methods:

Ravelry  //  Ms. Cleaver Creations  //  Love Knitting (coming soon)

Really love swingy A-line sweaters? FOR ONE WEEK ONLY - get both Prairie Wife and Lady Heartrose for $10.50 (Discount automatically applied to Ravelry purchases. Already have Lady Heartrose? The discount will still apply! Offer good until 10/8/15)

Ravelry  //  Ms. Cleaver Creations



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Introducing: Lady Heartrose

Lady Heartrose designed by Leah B. Thibault for Ms. Cleaver Creations
Lady Heartrose designed by Leah B. Thibault for Ms. Cleaver Creations
Lady Heartrose designed by Leah B. Thibault for Ms. Cleaver Creations
Lady Heartrose designed by Leah B. Thibault for Ms. Cleaver Creations
Lady Heartrose designed by Leah B. Thibault for Ms. Cleaver Creations
Lady Heartrose designed by Leah B. Thibault for Ms. Cleaver Creations

I've already written a fair amount about Lady Heartrose, which has been way too long delayed by other deadline knitting, but I'm pleased to finally release it out into the world!

A companion to the pint-sized Heartrose, the grown up version is a ladylike A-line cardigan with slighty puffed 3/4 to bracelet length sleeves and the same sweet heart cable down the front. It buttons all the way down if you wish, but can also be worn buttoned at the top-only for maximum swing, as shown here. 

The pattern is knit from the bottom-up seamlessly, with raglan-style sleeve. The button band is then picked up and worked last. The cable elements are confined to the starts and rends of rows, which,  when combined with the simple, seamless construction, would make this a great beginner/car/ tv-knitting sweater. 

The sample is knit up in the soft and drapey Swans Island Washable Wool DK in Malbec, a rich wine-like color, that suits this more grown-up version. 

A big thanks to Bristol Ivy for the photos and Martha Wissing for the technical editing. 

If you really love A-Line sweaters, wait for a second pattern announcement and special discount coming later this week! (Don't want to miss a pattern? Sign up for the newsletter!)

Pattern Details 

Sizes

Bust Circumference: 34 (36, 37 ¾, 39 ¼, 40 ½, 42 ½, 46 ½, 50)”/ 86.5 (91.5, 96, 99.5, 103, 108, 118, 127) cm. To be worn with 1-2 inches of positive ease.

Sample knit in size 39 ¼, with approximately 2”/5 cm of positive ease. (Wondering about ease?- Check this post out!)

Yarn

9 (10, 10, 11, 11, 12, 13, 14) skeins Swans Island Washable Wool DK in Malbec/EWS205 [100% Washable Organic Merino Wool]; 140 yds [128 m] per 50g or approximately 1210 (1310, 1390, 1450, 1515, 1600, 1775, 1940) yards of DK weight yarn.

Purchase

Lady Heartrose is available for purchase for $7.00 USD via the following methods:

Ravelry  //  Ms. Cleaver Creations  //  Love Knitting (coming soon)

Want to knit a matching adult/kid set? Get the pair for $3.oo off the individual prices! (Discount automatically applied to Ravelry purchases. Already have Heartrose? The discount will still apply!)

Ravelry  //  Ms. Cleaver Creations

 



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Coming Soon....

Lady Heartrose
Prairie Wife Cardigan

Two new sweater patterns coming soon.  Want to find out when they do? Sign up for the mailing list below!


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Mini Makes

I just finished knitting/finishing two adult sweaters and my next big sewing project is a button up Archer shirt for myself, but before I dive into what is going to be another involved project, I wanted to bang out a few quick mini-makes for some more instant gratification.  

Darlingside Tee
Darlingside Tee

Band Tee for LMC.

To say that we are fans of the band Darlingside in the Cleaver household would be a massive understatement. We love this band. Ever since Mr. Cleaver and I saw them on 207 back in 2012, we've been hooked and have seen them in as many local shows as possible. Our household also probably counts for 5% of the hits on their youtube videos. And thus, through frequent exposure, they have become Little Miss Cleaver's favorite band too. If we ask her what she wants to listen to, she will almost always say "Darlingside." Unfortunately, they don't make band shirts in size 4T. Fortunately, I know my way around an exacto knife, a stencil sponge, and a sewing machine. 

The image is from the cover of their album Pilot Machines, and I thought the balloons would be perfect for a kid. So I traced the image unto a file folder and cut it into two stencils, one for the balloons/ strings and one for the body. I cut up an old shirt of mine into a Made by Rae Skinny Tee, stenciled it on, sewed it up, and there you go! A mini Fangirl tee. We're seeing the band at a show in September and I'm hoping to get them to sign it for extra cool factor.  

While I'm at it, here's a video of my current favorite Darlingside song. LMC's favorite is this one or this one

Dying Playsilks
Dying Playsilks

Playsilks

LMC and I recently dyed some playsilks with Kool-Aid and managed not to accidentally dye anything else except our fingers- success!  The silks came from dharma trading company and I used this tutorial from Knitty to pick my Kool-Aid packets. I had made a blue and green one a while back that get heavy use as ballet skirts and super-capes, so it's nice to have the full rainbow to choose from now.

Hobby Horse
Hobby Horse
Hobby Horse

Hobby Horse

Lastly, a few weeks ago, we picked up a bunch of books at Goodwill to refresh our collection, which included a pop-up version of the Nutcracker. In one panel, one of the children had a Hobby Horse. I said something along the lines of "I could make that,"  resulting in daily requests from LMC  for Mommy to make her a horse.  Fortunately, I had a free pattern already pinned on Pinterest, and all the supplies I needed in my stash. Except for a dowel, which means that LMC can sweep and play at the same time!  Of course now, Little Miss Cleaver thinks that I have the magic ability to just make anything (which kinda cool), but I can't mention that I'm considering making anything for her, because she demands I sew it now (even if the fabric is still uncut). 

What have you been making?


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Pintucks and Popscicles

Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Popsicle Sticks
Oliver + S Family Reunion Dress sewn by Ms. Cleaver

I don't sew as much for Little Miss Cleaver as I thought I would, or would like to really. I've made a number of little "ballet skirts" that get plenty of wear, but not too much beyond that.

I'll admit that some of it is hesitation on my part. LMC is developing strong feelings about what she wants to wear (yes to tutus and leopard print pants), and more often than not, when I pull out a mama-made dress, her response is, "I don't like that." Of course other days, she totally wants to dress up like Olivia. So there's a balance, but I'm a little gun shy about spending a bunch of time making something she won't wear. 

This dress however was motivated by the fact that my 2.5-year-old is crazy tall for her age, and is solidly in 3T tops and some 4T bottoms and I have a number of adorable Oliver + S patterns that cap out at size 4. So I felt like I needed to get sewing. 

This fabric/pattern combo has been sitting on my to-cut pile for quite some time and I thought now was the time to do it. The fabric was one of the fancy quilting cottons from JoAnn's and the pattern is Oliver + S's Family Reunion Dress. I cut it out in a 3T, with the 4t length, and it's actually fairly big on her, so it looks like I have a little more leeway to sew these patterns up than I thought. 

My only previous experience with a paid Oliver + S pattern was the Birthday Party Dress I sewed for LMC's first birthday (so long ago - sniff!). I thought the end result was lovely, but the construction was a bit fiddly. And I'd say the same for this one, there are certain parts of the directions you just have to trust and "go with it" and hope that it works out in the end.

For example, in this dress you sew half the shoulder seam right sides together and the other half wrong sides together. The odd half ends up getting covers up the collar facing. The folding plackets/attaching hem facing is a bit confusing too, but works if you follow the directions. The only place I ran into a construction issue was when I clipped the corners after attaching the hem facing to the button plackets. I over clipped, and had to re-seam, meaning my bottom edges are slightly curved instead of square.  

In the end, it came together nicely. I finished my inside seams with zig-zagging and added a little Miss Cleaver tag. The only change I'd make is that I wish I had done my top-stitching in a deep pink/red instead of the pale pink I used.

When I had the pieces cut out LMC insisted I sew it right then (which, not happening kiddo) and when I had it sewn but didn't have the buttons attached, she asked me to finish it so she could put it on, so I have hope that she'll actually like this one. She did wear it this weekend, but then changed into her Wonder Woman t-shirt halfway through the day, so you never know. At least Mr. Cleaver thinks it's cute, he told me so.



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A Drawer-full of Accomplishment

More underwear!!!

When I said sewing your own underthings was addictive, I wasn't kidding - because now I have a drawer full of shiny new me-made underwear. Laundry takes a bit more diligence, but other than that, I'm pretty thrilled with the outcome.

All in all, it's three Watson Bras with two matching pairs of undies for each bra. The undies started from the Watson pattern, but I've hacked it up enough now to pretty much call it my own. It takes me about 2 hours to sew up a bra and less than 30 for the undies (if I'm paying attention). Even after all this sewing though, I still haven't quite got my elastic tension down. I think it could be more snug around the leg and for the last bra, I went down a band size, which fits better. I've cut out my patterns on cardstock for future use, though everythign is so dependent on the fabric, that you never know.

The purple version you've seen. I sewed the sporty turquoise one next and the lace version last. For the lace version, which is my absolute fave. I tea-dyed the lace and elastic with good-old Lipton's, about 8 bags or so worth. It make we want to buy a cheap pot and do some more dying in the future. For the lace band I underlined it with the milliskin, but the lace stands on its own for the other parts. It's so comfy. 

I'm pretty well stocked up for now, but i would like to try my hand at an underwire bra next. But first I have some fall wardrobe sewing for me and LMC to do! (Dresses for her, buttons-up and jeans for me!)

Watson Bras and Undies sewn by Ms. Cleaver
Sporty Watson Bra and Undies
Mauve and Lace Watson Bra Sewn by Ms. Cleaver
Mauve and Lace Watson Bra and  Undies Sewn by Ms. Cleaver
Sporty Watson Bra sewn by Ms. Cleaver
Lilac Watson Bra and Undies Sewn by Ms. Cleaver
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What is Ease? (Or How to Choose the Size you Want)

What is Ease.png

What is Ease?

In a lot of knitting patterns for garments you'll find something that looks like this:

Sizes 41 1/2 (44 1/2, 47 1/2, 50 1/2, 53 1/2, 57)" bust circumference; shown in size 41 1/2", modeled with 8 1/2" of positive ease

If your pattern includes this, fantastic!

If it also includes something like intended to be worn with 8-10" positive ease, even better!

These two bits of information are going to be very helpful in choosing a size. 

Ease is all about Fit and Style

When I first started knitting, I thought you just picked the size closest to your bust measurement and went from there. That's certainly an option, but it probably won't get you the best fit. 

When I design a garment, I think about two things related to fit (well more than that obviously, but stick with me here) - wearing ease and design ease. Every body has measurements. These measurements are the basic starting point for a good fit, but then as a designer, I add extra fabric to those measurements for ease of movement and style.

Oakdale, designed by me, with zero ease

Oakdale, designed by me, with zero ease

Demonstrating Negative Ease

Demonstrating Negative Ease

Positive Versus Negative Ease

Positive ease means that the garment measurements are larger than your actual measurements. For example, a 40" sweater on a 38" bust has two inches of positive ease. A 37" sweater on that same 38" bust would have 1" of negative ease. A 38" sweater on a 38" bust would have no or zero ease.

Wearing Ease 

Wearing ease contributes to ease of movement. Think of cutting out a piece of sturdy paper to your exact bust measurement and taping it on. Now try taking a deep chest breath, or bending over to pick something up, or reaching forward. We move a lot and moving requires ease, or a little bit of extra space to allow for that movement.

Now a piece of paper is stiff and inflexible, woven fabrics can be fairly rigid too, which is why wearing ease is more important in woven garments. Fortunately knitted fabric has a bit more give, it stretches as you move, so you can get away with little, no, or even negative ease, depending on the flexibility of your knitted fabric. So that super snug, ribbed Lana Turner-esque sweater? The fabric has a lot of give, so you can still breathe, hooray!

But just because you don't necessary need wearing ease in the bust, doesn't mean that you wouldn't want in other places, like the sleeve and  armhole. Because we all like to lift our arms right?

Also, in general, I think that unless you're reinforcing your buttonbands, you want cardigans to have some positive ease so you don't have button-band gappage. (Because nobody wants that)

Cormac with 8 1/2" of positive ease

Cormac with 8 1/2" of positive ease

Toulouse with several inches of positive ease as modeled in Knitscene

Toulouse with several inches of positive ease as modeled in Knitscene

Toulouse with slight positive ease as knitted by Orlaflo

Toulouse with slight positive ease as knitted by Orlaflo

Design Ease

If wearing ease is about how you move, design ease is about how you look. Fashion goes back on forth a lot on what silhouette is in. In the 1940's, like the photo about, the snug "sweater girl" look was the thing, and they used zero or negative design ease to achieve it. Nowadays, we sport a much more relaxed look, and to create it you need to add design ease on top of the wearing ease.

I recommend about 8" of ease for the Cormac sweater. Clearly you don't need 8 extra inches of fabric around your bust to move,  so this is largely design ease. If you want your sweater to look similar to the one in the mag, you're going to need to choose a size somewhere 6-10 inches larger than your bust measurement. The smaller your bust, the less ease you'd need proportionally than larger bust, i.e. a 32" bust would be fine closer to 6" extra, while a 42" bust would want closer to 9 or 10"  

For a good look at how ease can change the final look, check out the 200+ examples of the Toulouse pullover.  In the magazine it was styled with a great deal of positive ease, which result in a slouchy/boho look, but many knitters have chosen to knit it much closer to their actual measurements with very little positive ease, like the example from Orlaflo on the right.  Both options are equally "right," depending on what you want the final look to be.

One note of caution: if a pattern indicates a "to be worn with xx inches of ease" it usually means that the underlying body measurements used to design the piece are that many inches smaller. For example, if I design a 40" sweater to be worn with 4" of positive ease, it means that when I do my baseline calculations for that sweater I'm starting with the standard measurements that go with a 36" bust, so if you chose to do less ease or more ease than suggested it may not fit as well in the shoulders or arms. 

In Conclusion

With these two types of ease in mind, and good pattern information, you can confidently choose a size that will get you the finished fit you desire!

Cormac and Toulouse Photos courtesy of Knitscene/Harper Point



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Introducing: Hemingway

Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective

It's August, but that doesn't mean its not sweater season at Ms. Cleaver Creations!

Hot on the heels of the Cormac release, I'm pleased to present, not one, but two new sweaters - Hemingway: Men's and Women's. Or as I call them, Him-ingway and Her-ingway. 

This design can be credited to power of the corkboard squares in my studio space. Sometime, a long time ago (before July 2012 at least), I had the idea of trying to design a pattern that used knit and purl stitches to make a plaid fabric. I was pretty happy with the way the swatch turned out, but I never quite figured out what to do with it. So it stayed pinned there on my corkboard for ages.  

Then I started playing around with a simple, pieced shawl-collar men's pullover. And thought, hey, that plaid thing just might work! The folks at Twist Collective seemed to agree, so much so that they asked to do a women's version too. I panicked briefly, said yes, and then started looking for my first ever sample knitter. 

The main differences between the two are that the women's has waist shaping and is generally shorter in the body, sleeves, and armhole depth, as well as narrower in the shoulders. The men's is straight through the waist (easy to lengthen for the extra-tall fellas) and has a slightly wider collar and ribbing. Both are worked in pieces and seams, with the shawl collar that is picked up and worked after seaming. 

The sample yarn used for both sweaters is Valley Yarn's Northhampton, which I really enjoyed knitting (the men's sweater) with. It's just a super solid 100% wool yarn. I just kep thinking, yeah - this is wool. Its not too itchy, but it's not so soft that you think it won't hold up in a few years and it comes in some really pretty heathered shades. 

If you knit this one up, I'd recommend choosing a size with 2+ inches of positive ease for the best fit. In the photos above the women's has about 4"/10 cm of positive ease and the men's has 2.5"/6 cm positive ease. Not sure what I mean when I'm talking about ease? Check back later this week for a post all about it!

Hemingway is now available for sale through Twist Collective. You can buy each pattern individually for $7.00 USD or get both for $10.00. You can also find the pattern on Ravelry.

All modeled photos courtesy of Twist Collective/Crissy Jarvis. 



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Tried and True Review: A Big Bag of the Blues - Part II

A Tried & True Review, where I look back at old project and discuss how it's held up since I made it, both successes and closet rejects, in an attempt to show how my projects have stood the test of time and/or to learn from the mistakes of my yesterdays.

 I recently took a big bag of clothes, mostly handmade items, to a local consignment store and I thought, true to the spirit of the Tried and True Review, I'd take some time to share with you why I was ready to let them go. Also, if you're in the Portland (ME) area and want to grab something sewn or knitted by me, now's your chance!

There's a lot of items there, so I'm going to break it into two parts. Here is  Part II (Part I here). 

Cookie Monster Cardigan

The Original: Cookie Monster Cardigan

Made/Age:  July 2012, 3 years old.

Update: Accepted for Consignment.

Fit:  It's just too big in the bust. I kept it around because I was pregnant at the time and though it would fit well later in the pregnancy, but it never did. Because it was that big. It looks okay in the photos, but I always felt like I was swimming in it. 

Style/Materials: Cookie Monster Blue Berrocco Vintage. Because it's a superwash wool/acrylic blend I couldn't even shrink it to fit. 

Construction: This sweater had it going wrong from the get go. I recalculated the yoke increases from the pattern, because as originally written it made the sleeve have weird "wings". It looked like a circular yoke construction, but all the increases were centered over the sleeves. I restarted the yoke again and finished the sweater, but I didn't have the heart to knit it again, when it was too big.

Final Verdict: When in doubt, rip it out. 

Vogue 8184 by Ms. Cleaver

The Original: 4th of July Dress

Made/Age:  July 2010, 5 years old.

Update: Rejected from Consignment.

Fit:  The fit is fine (I think), the truth is I just didn't wear it all that much. I have another rather similar blue sundress (that I got at the consignment store oddly enough), that I preferred to wear. I can't really pin down why, but this one just never seemed as flattering.  I didn't need two, so off this one went.

Style/Materials: Quilting cotton. 

Construction: I added horsehair braid to the hem which was fun, but maybe made it a bit too costumey?

Final Verdict: This is another go with your gut one. There's no reason not to like it , but because I don't, there's no reason to hang onto it either.

Burdastyle Alexis by Ms. Cleaver

The Original: Alexis Skirt

Made/Age:  December 2008, 7.5 years old.

Update: Accepted for Consignment

Fit:  This one always falls under my pencil skirt sewing deficiency. It sits too low on the waist to be flattering. 

Style/Materials: Some vintage brocade. Fabric was beautiful, but I find it harder to wear lighter colored items on bottom. Also it has a kangaroo pock on the  front, which makes it pooch out weirdly.

Construction: I seem to recall it being quite well made, but it was early in my sewing career, so it probably was less so. 

Final Verdict: I need to take a class on making a pencil skirt or something. it is my sewing waterloo. 

The Original Ms. Cleaver Photo from 2007!
The Walkway Dress

Bonus: The Walkaway Dress

Made: Sometime between 1998-2001

Update: Accepted for Consignment

Fit: To finish up, the bottom dress in that pile is actually one my mother made for me in high school. The photo on the left is from 2004 and may be one of the last times I wore it (for my original Ms. Cleaver portrait at that!) . The dress is actually pretty flattering on, but is generally impossible to wear due to the narrowness of the front skirt panel. One stiff breeze and you have an embarrassing situation on your hands. Also, the quilting cotton print made it look like it belonged on a preschool teacher. 

Final Verdict: If you can't wear something without fear of repeatedly exposing your underwear, you probably shouldn't wear it. 


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