Introducing Becket

My dear friend Bristol Ivy is just about to release a book called "Knitting Outside the Box." She's awesome, the book is awesome and you should totally pre-order it. 

But, for me, I prefer to design within the box. Or boxes as it were.

That is, I love working within constraints. I've always found that some of my best creative leaps have come from some kind of restriction, be it a writing prompt, moodboard, or budget limitation. The freedom to create anything can be overwhelming, so sometimes I like to place restrictions on myself. 

After I had designed Leading Bird and Paper Bird, I decided I wanted to do a whole series of shawls (that wide-open palette) within three rules: 

1. It had to be inspired by a song with the word "bird" in it.
2. It had to use a shape not in the series yet
3. It had to use a Quince yarn not in the series yet.

So I had done a semi-circular shawl in Owl and an elongated triangle in Tern. I started by coming up with my favorite bird-referencing songs:

• Cage the Songbird (which became the traditional triangle shawl, Tributary); 
• "Top of World" by Patty Griffin ("I'm afraid I broke the wings/Off that little songbird;"
• "Here Stand" by The Ballroom Theives "Well, here I stand/A bird in hand/One foot in sea and one on land" 
• The entire oeuvre of Brown Bird

(clearly, I'm not done with this idea yet and if I allow myself to be a bit liberal with the "bird" definition, "Maybe Sparrow" by Neko Case would be on there too.)

And then my favorite band, Darlingside, came out with an album called "Birds Say" and I just had to make a shawl around the title track. 

My first bit of inspiration was from the way Darlingside performs - as four voices around a single microphone, which translated itself to four trapezoids around a central point in a shape that's half-scarf, half-shawl (a scrawl?). The fabric design was easy - an irregular rib based on the rhythm of the song.  I knew from earlier swatching experiments that Quince's springy Phoebe would let the ribs "pop," while the semi-solid coloring keeps the eye moving horizontally, like reading sheet music. 

All of that pulled together to become the Becket shawl (Quince picks the final names), part of their Marsh Collection. 

The pattern is available for $6 USD for the individual pattern or $19 USD for the whole Marsh Collection from the following online shops:

MsCleaver.com   ||   Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincebecket to share and/or tag me @mscleaver !  

And here's one more song for the road (because I really can't help fangirl-ing)

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Introducing Dal

I'm pleased to introduce Dal - part of Quince and Co's Spice Collection. I love Lark, Quince's worsted weight wool. It's a simple workhorse yarn, but it lends itself to texture so well - as demonstrated by the knit/purl basketweave texture and cables on Dal. Knit and purl stitches combine for a cushy body, while a stockinette sleeve keeps this cozy raglan from being too busy. The width of the front-center panel scales with sizing, to be flattering on a range of figures. 

I'm in love with the rich golden hues of Carrie's Yellow, but Dal would also look great in olivey-green, like Wasabi; a steel blue like Sage; or the deep Merlot of Barolo:

The pattern is available for $7 USD from the following online shops:

MsCleaver.com   ||   Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincedal to share and/or tag me @mscleaver !  

I'd love to see your version!!!

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Introducing the Tributary Shawl

I'm pleased to introduce the Tributary - part of Quince and Co's Piper Week and the third in my Songbird series of shawls inspired by music.

"God cage the songbird
Before the feathers run brown
God bar the windows
That we may though hollow be sound

And this island shall be shackled to her waters
Here we vow never to change
Here we will stand at last for something
With no desire to pretend"

- The Low Anthem

Inspired by lyrics from the Rhode Island-based folk band The Low Anthem, this traditional triangle shawl plays with closure and openness, with the body knit in Stockinette st for the first third, before opening up into a wide lace border.  The strong lines of double yarn-overs both open up the fabric, evoking bars, and the final pattern has a feather-like texture, the connection the two lace patterns giving the shawl a feeling of downward motion, and falling feathers.

The pattern is available for $6.50 USD from the following online shops:

MsCleaver.com   ||   Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincetributary to share and/or tag me @mscleaver !  

I'd love to see your version!!!

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Introducing the Paper Bird Shawl

I'm pleased to introduce the Paper Bird Shawl - part of Quince and Co's annual Shawl Week and the second in my Songbird series of shawls inspired by music.

Paper Bird is simple to knit, but results in a graceful and dramatic shawl, with biased fabric framed by clean ribs and a distinctive edge of sharp points. Knit in Quince & Co's silk/wool blend Tern, the shawl has gorgeous drape. The shawl can be worn spread out as shown, or the shawl's texture makes it easy to fold up and wear as a cozy scarf.

After the ribs are firmly established, the knitting flows easily off the needles. In some ways, the story for the inspiration behind this pattern is longer than the actual pattern itself.

Do you, do you remember? That time you told me you would unfold me like a paper bird?  -Heather Maloney, Word for Word

While listening to the song "Word for Word" by Massachusetts-based singer-songwriter Heather Maloney, I was struck by the phrase "Do you remember that time you told me you would unfold me like a paper bird?"

If you've known me for any length of time, chances are you've seen me make a paper crane ranging in size from over a foot tall (from flip-chart paper) to smaller than your pinkie nail (from a post-it). 

When I was ten or so, I read Sadako and the Thousand Paper Cranes in school, which tells the story of a young girl who gets cancer as a result of the Hiroshima bombings and begins folding paper cranes in line with a Japanese legend that a wish will be granted to anyone that folds 1,000 cranes. We learned to fold cranes in class and while I haven’t been striving for any specific wish, I have probably made nearly a 1,000 cranes since that day. But I don’t know that I ever unfolded one, it seems sacrilegious somehow.

The Paper Bird shawl is my attempt to capture the elegance of a live bird’s wing, along with sharpness and folds of its origami counterpart. Through the combination of ribs and bias stitching, the shawl takes on the quality of unfolded origami.

The pattern is available for $6.00 USD from the following online shops:

Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincepaperbird to share and/or tag me @mscleaver !  

I'd love to see your version!!!

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Introducing the Leading Bird Shawl

Music has always been a big part of my life - singing in church as a child; piano, then harp lessons; choir and marching band in high school. It's been years since I've picked up a pair of cymbals, my harp is currently living in a closet with a half-dozen strings missing, and most of my singing occurs (quite loudly) in the car. Music is still a big part of my life, I just mostly sit on the appreciative side of the stage these days.

When I find a musician I like, I tend to be loyal for the long-haul. Like many people, I feel in love with the Marketa Irglova and Glen Hansard's music in the film Once. I was lucky enough to see them perform live as the Swell Season back when I lived in Chicago, I bought the second album on release day, and was saddened when the band broke up.

For some reason, I didn't pick up on their solo work right away, but when I caught wind of Marketa's second solo release Muna, I listened to a live stream online and was immediately hooked. The album was both lush and airy, and almost felt like sacred music (quoting the entirety of the Lord's Prayer in one of the songs helps). Even more, the album just felt like winter to me.

Long time followers of my design work know that Marketa has provided inspiration before, being the catalyst behind the Marketa Mitts I did as part of my Knitscene collection back in 2012. Once again, upon hearing the song "The Leading Bird", and more particularly, seeing the accompanying video, I was inspired.

With the Leading BIrd Shawl, I wanted to capture the mood of the video, which, to me, was both rustic and graceful. Quince & Co.'s alpaca/wool blend Owl, was perfect yarn match. The shawl itself is simple to knit. A half-circle with pi shaping means there's long stretches of simple knitting - making this a perfect on-the-go project. The lace details are worked as elongated stitches in the body and dropped stitches in the border, the with extra space created by dropped stitches giving the border a gentle ruffle-like quality.

A special shout out goes to Bristol Ivy, who provided some invaluable feedback when I was coming up with the border. Sometimes, simple is best.

The sample used ALL of 5 skeins (600 yds - worsted weight), so pick up an extra to be on the safe side.

The pattern is available for $6.00 USD from the following online shops:

Quince & Co.    ||    Ms. Cleaver Creations    ||    Ravelry

If you knit it and participate in social media, use #quinceleadingbird to share! I'd love to see your version!

Curious if I captured the feel of the song? Check out the video below and let me know if you think I got it!

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