Mini Makes

I just finished knitting/finishing two adult sweaters and my next big sewing project is a button up Archer shirt for myself, but before I dive into what is going to be another involved project, I wanted to bang out a few quick mini-makes for some more instant gratification.  

Darlingside Tee
Darlingside Tee

Band Tee for LMC.

To say that we are fans of the band Darlingside in the Cleaver household would be a massive understatement. We love this band. Ever since Mr. Cleaver and I saw them on 207 back in 2012, we've been hooked and have seen them in as many local shows as possible. Our household also probably counts for 5% of the hits on their youtube videos. And thus, through frequent exposure, they have become Little Miss Cleaver's favorite band too. If we ask her what she wants to listen to, she will almost always say "Darlingside." Unfortunately, they don't make band shirts in size 4T. Fortunately, I know my way around an exacto knife, a stencil sponge, and a sewing machine. 

The image is from the cover of their album Pilot Machines, and I thought the balloons would be perfect for a kid. So I traced the image unto a file folder and cut it into two stencils, one for the balloons/ strings and one for the body. I cut up an old shirt of mine into a Made by Rae Skinny Tee, stenciled it on, sewed it up, and there you go! A mini Fangirl tee. We're seeing the band at a show in September and I'm hoping to get them to sign it for extra cool factor.  

While I'm at it, here's a video of my current favorite Darlingside song. LMC's favorite is this one or this one

Dying Playsilks
Dying Playsilks

Playsilks

LMC and I recently dyed some playsilks with Kool-Aid and managed not to accidentally dye anything else except our fingers- success!  The silks came from dharma trading company and I used this tutorial from Knitty to pick my Kool-Aid packets. I had made a blue and green one a while back that get heavy use as ballet skirts and super-capes, so it's nice to have the full rainbow to choose from now.

Hobby Horse
Hobby Horse
Hobby Horse

Hobby Horse

Lastly, a few weeks ago, we picked up a bunch of books at Goodwill to refresh our collection, which included a pop-up version of the Nutcracker. In one panel, one of the children had a Hobby Horse. I said something along the lines of "I could make that,"  resulting in daily requests from LMC  for Mommy to make her a horse.  Fortunately, I had a free pattern already pinned on Pinterest, and all the supplies I needed in my stash. Except for a dowel, which means that LMC can sweep and play at the same time!  Of course now, Little Miss Cleaver thinks that I have the magic ability to just make anything (which kinda cool), but I can't mention that I'm considering making anything for her, because she demands I sew it now (even if the fabric is still uncut). 

What have you been making?


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The Penultimate Weekend of Summer

Ocean Park Beach
Ocean Park Beach
Ocean Park Beach
Ocean Park Beach
Ocean Park Beach
Ocean Park Beach
Ocean Park Beach
Ocean Park Beach
Ocean Park Beach
Ocean Park
Ocean Park
Ocean Park
Ocean Park
Ocean Park
Ice Cream
SUP
Sand Angel
Ocean Park Beach
Makin S'mores
Maine Wildlife Park
Maine Wildlife Park
Maine Wildlife Park
Maine Wildlife Park
Maine Wildlife Park
Maine Wildlife Park
Little Bear
Maine Wildlife Park
Maine Wildlife Park
Maine Wildlife Park
Maine Wildlife Park
New Bone

How it is already September? The local schools start back up this week and when I dropped Little Miss Cleaver off at daycare they had changed all the decorations to leaves and pumpkins. Don't get me wrong, I adore Autumn, it's my favorite season, but summer seems to go so darn fast! It doesn't help that it doesn't start feeling like summer until July, but still. 

I have kept to my goal of taking more time off this summer and we seem to manage two weekends worth of activity in every one (having a kid that gets up at 5 AM helps there). I took a half-day Thursday and all day Friday off, so we could do this penultimate weekend of summer right. 

We took LMC to our favorite beach, which she adored. Splashing in the water, playing in the sand, screaming and running from imaginary lobsters. Mr. Cleaver and I aren't huge beach people, being easily burned, but her joy at it, makes the multiple sunscreen applications and big hats worth it. We lost a sand shovel in the tide and the tide gave it back. We took a beach break for shuffleboard and burgers and ice cream and then returned for more surf and sand angels. The weather was perfect and it was a glorious day.

Sunday, we grabbed a discount pass from our local library (Libraries are awesome!) , LMC picked out her fancy new kitty-cat party dress and we went to the Maine Wildlife Park. We saw all sorts of critters, but if you ask her about it, LMC will tell you all about the turkey that she tried to feed popcorn and that bit her finger and that she told it no more biting. (She's fine, didn't break skin, just scared her.) Both mornings ended with an insta-crash in the car seat and an epic nap at home.

Good summer living if you ask me.

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A Walk in the Marsh

Fore River Sanctuary
Fore River Sanctuary
Fore River Sanctuary
Keeping Watch
Fore River Sanctuary
Queen Anne's Lace
Crab Apple at Fore River Sanctuary
Crab Apples at Fore River Sanctuary
A Good Smell
Crab Apples at Fore River Sanctuary
Fore River Sanctuary
Fore River Sanctuary
Fore River Sanctuary
Grasshopper at Fore River Sanctuary

It's just one of those things. When something is so available you never think to take advantage of it, because it's always there. The opposite of the shamrock shake/limited time only effect. 

I drive by the Fore River Sanctuary twice daily, it was in the background of my wedding photos. but I never actually hit the trails until a few weeks ago.  Truly, I've been missing out.

Mr. Cleaver and I both agreed that we'd need to come back in the Fall, (there's not a lot of shade on the trail, so it gets hot) and maybe LMC will be interested in walking more than just the bridges (so much riding on shoulders!).

We only walked a small portion of the trail (see riding on shoulders comment above), but it was worth it even for that. 


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Pintucks and Popscicles

Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Oliver + S Family Reunion Dress sewn by Ms. Cleaver
Popsicle Sticks
Oliver + S Family Reunion Dress sewn by Ms. Cleaver

I don't sew as much for Little Miss Cleaver as I thought I would, or would like to really. I've made a number of little "ballet skirts" that get plenty of wear, but not too much beyond that.

I'll admit that some of it is hesitation on my part. LMC is developing strong feelings about what she wants to wear (yes to tutus and leopard print pants), and more often than not, when I pull out a mama-made dress, her response is, "I don't like that." Of course other days, she totally wants to dress up like Olivia. So there's a balance, but I'm a little gun shy about spending a bunch of time making something she won't wear. 

This dress however was motivated by the fact that my 2.5-year-old is crazy tall for her age, and is solidly in 3T tops and some 4T bottoms and I have a number of adorable Oliver + S patterns that cap out at size 4. So I felt like I needed to get sewing. 

This fabric/pattern combo has been sitting on my to-cut pile for quite some time and I thought now was the time to do it. The fabric was one of the fancy quilting cottons from JoAnn's and the pattern is Oliver + S's Family Reunion Dress. I cut it out in a 3T, with the 4t length, and it's actually fairly big on her, so it looks like I have a little more leeway to sew these patterns up than I thought. 

My only previous experience with a paid Oliver + S pattern was the Birthday Party Dress I sewed for LMC's first birthday (so long ago - sniff!). I thought the end result was lovely, but the construction was a bit fiddly. And I'd say the same for this one, there are certain parts of the directions you just have to trust and "go with it" and hope that it works out in the end.

For example, in this dress you sew half the shoulder seam right sides together and the other half wrong sides together. The odd half ends up getting covers up the collar facing. The folding plackets/attaching hem facing is a bit confusing too, but works if you follow the directions. The only place I ran into a construction issue was when I clipped the corners after attaching the hem facing to the button plackets. I over clipped, and had to re-seam, meaning my bottom edges are slightly curved instead of square.  

In the end, it came together nicely. I finished my inside seams with zig-zagging and added a little Miss Cleaver tag. The only change I'd make is that I wish I had done my top-stitching in a deep pink/red instead of the pale pink I used.

When I had the pieces cut out LMC insisted I sew it right then (which, not happening kiddo) and when I had it sewn but didn't have the buttons attached, she asked me to finish it so she could put it on, so I have hope that she'll actually like this one. She did wear it this weekend, but then changed into her Wonder Woman t-shirt halfway through the day, so you never know. At least Mr. Cleaver thinks it's cute, he told me so.



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A Drawer-full of Accomplishment

More underwear!!!

When I said sewing your own underthings was addictive, I wasn't kidding - because now I have a drawer full of shiny new me-made underwear. Laundry takes a bit more diligence, but other than that, I'm pretty thrilled with the outcome.

All in all, it's three Watson Bras with two matching pairs of undies for each bra. The undies started from the Watson pattern, but I've hacked it up enough now to pretty much call it my own. It takes me about 2 hours to sew up a bra and less than 30 for the undies (if I'm paying attention). Even after all this sewing though, I still haven't quite got my elastic tension down. I think it could be more snug around the leg and for the last bra, I went down a band size, which fits better. I've cut out my patterns on cardstock for future use, though everythign is so dependent on the fabric, that you never know.

The purple version you've seen. I sewed the sporty turquoise one next and the lace version last. For the lace version, which is my absolute fave. I tea-dyed the lace and elastic with good-old Lipton's, about 8 bags or so worth. It make we want to buy a cheap pot and do some more dying in the future. For the lace band I underlined it with the milliskin, but the lace stands on its own for the other parts. It's so comfy. 

I'm pretty well stocked up for now, but i would like to try my hand at an underwire bra next. But first I have some fall wardrobe sewing for me and LMC to do! (Dresses for her, buttons-up and jeans for me!)

Watson Bras and Undies sewn by Ms. Cleaver
Sporty Watson Bra and Undies
Mauve and Lace Watson Bra Sewn by Ms. Cleaver
Mauve and Lace Watson Bra and  Undies Sewn by Ms. Cleaver
Sporty Watson Bra sewn by Ms. Cleaver
Lilac Watson Bra and Undies Sewn by Ms. Cleaver
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What is Ease? (Or How to Choose the Size you Want)

What is Ease.png

What is Ease?

In a lot of knitting patterns for garments you'll find something that looks like this:

Sizes 41 1/2 (44 1/2, 47 1/2, 50 1/2, 53 1/2, 57)" bust circumference; shown in size 41 1/2", modeled with 8 1/2" of positive ease

If your pattern includes this, fantastic!

If it also includes something like intended to be worn with 8-10" positive ease, even better!

These two bits of information are going to be very helpful in choosing a size. 

Ease is all about Fit and Style

When I first started knitting, I thought you just picked the size closest to your bust measurement and went from there. That's certainly an option, but it probably won't get you the best fit. 

When I design a garment, I think about two things related to fit (well more than that obviously, but stick with me here) - wearing ease and design ease. Every body has measurements. These measurements are the basic starting point for a good fit, but then as a designer, I add extra fabric to those measurements for ease of movement and style.

Oakdale, designed by me, with zero ease

Oakdale, designed by me, with zero ease

Demonstrating Negative Ease

Demonstrating Negative Ease

Positive Versus Negative Ease

Positive ease means that the garment measurements are larger than your actual measurements. For example, a 40" sweater on a 38" bust has two inches of positive ease. A 37" sweater on that same 38" bust would have 1" of negative ease. A 38" sweater on a 38" bust would have no or zero ease.

Wearing Ease 

Wearing ease contributes to ease of movement. Think of cutting out a piece of sturdy paper to your exact bust measurement and taping it on. Now try taking a deep chest breath, or bending over to pick something up, or reaching forward. We move a lot and moving requires ease, or a little bit of extra space to allow for that movement.

Now a piece of paper is stiff and inflexible, woven fabrics can be fairly rigid too, which is why wearing ease is more important in woven garments. Fortunately knitted fabric has a bit more give, it stretches as you move, so you can get away with little, no, or even negative ease, depending on the flexibility of your knitted fabric. So that super snug, ribbed Lana Turner-esque sweater? The fabric has a lot of give, so you can still breathe, hooray!

But just because you don't necessary need wearing ease in the bust, doesn't mean that you wouldn't want in other places, like the sleeve and  armhole. Because we all like to lift our arms right?

Also, in general, I think that unless you're reinforcing your buttonbands, you want cardigans to have some positive ease so you don't have button-band gappage. (Because nobody wants that)

Cormac with 8 1/2" of positive ease

Cormac with 8 1/2" of positive ease

Toulouse with several inches of positive ease as modeled in Knitscene

Toulouse with several inches of positive ease as modeled in Knitscene

Toulouse with slight positive ease as knitted by Orlaflo

Toulouse with slight positive ease as knitted by Orlaflo

Design Ease

If wearing ease is about how you move, design ease is about how you look. Fashion goes back on forth a lot on what silhouette is in. In the 1940's, like the photo about, the snug "sweater girl" look was the thing, and they used zero or negative design ease to achieve it. Nowadays, we sport a much more relaxed look, and to create it you need to add design ease on top of the wearing ease.

I recommend about 8" of ease for the Cormac sweater. Clearly you don't need 8 extra inches of fabric around your bust to move,  so this is largely design ease. If you want your sweater to look similar to the one in the mag, you're going to need to choose a size somewhere 6-10 inches larger than your bust measurement. The smaller your bust, the less ease you'd need proportionally than larger bust, i.e. a 32" bust would be fine closer to 6" extra, while a 42" bust would want closer to 9 or 10"  

For a good look at how ease can change the final look, check out the 200+ examples of the Toulouse pullover.  In the magazine it was styled with a great deal of positive ease, which result in a slouchy/boho look, but many knitters have chosen to knit it much closer to their actual measurements with very little positive ease, like the example from Orlaflo on the right.  Both options are equally "right," depending on what you want the final look to be.

One note of caution: if a pattern indicates a "to be worn with xx inches of ease" it usually means that the underlying body measurements used to design the piece are that many inches smaller. For example, if I design a 40" sweater to be worn with 4" of positive ease, it means that when I do my baseline calculations for that sweater I'm starting with the standard measurements that go with a 36" bust, so if you chose to do less ease or more ease than suggested it may not fit as well in the shoulders or arms. 

In Conclusion

With these two types of ease in mind, and good pattern information, you can confidently choose a size that will get you the finished fit you desire!

Cormac and Toulouse Photos courtesy of Knitscene/Harper Point



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Introducing: Hemingway

Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective
Hemingway designed by Leah B. Thibault for Twist Collective

It's August, but that doesn't mean its not sweater season at Ms. Cleaver Creations!

Hot on the heels of the Cormac release, I'm pleased to present, not one, but two new sweaters - Hemingway: Men's and Women's. Or as I call them, Him-ingway and Her-ingway. 

This design can be credited to power of the corkboard squares in my studio space. Sometime, a long time ago (before July 2012 at least), I had the idea of trying to design a pattern that used knit and purl stitches to make a plaid fabric. I was pretty happy with the way the swatch turned out, but I never quite figured out what to do with it. So it stayed pinned there on my corkboard for ages.  

Then I started playing around with a simple, pieced shawl-collar men's pullover. And thought, hey, that plaid thing just might work! The folks at Twist Collective seemed to agree, so much so that they asked to do a women's version too. I panicked briefly, said yes, and then started looking for my first ever sample knitter. 

The main differences between the two are that the women's has waist shaping and is generally shorter in the body, sleeves, and armhole depth, as well as narrower in the shoulders. The men's is straight through the waist (easy to lengthen for the extra-tall fellas) and has a slightly wider collar and ribbing. Both are worked in pieces and seams, with the shawl collar that is picked up and worked after seaming. 

The sample yarn used for both sweaters is Valley Yarn's Northhampton, which I really enjoyed knitting (the men's sweater) with. It's just a super solid 100% wool yarn. I just kep thinking, yeah - this is wool. Its not too itchy, but it's not so soft that you think it won't hold up in a few years and it comes in some really pretty heathered shades. 

If you knit this one up, I'd recommend choosing a size with 2+ inches of positive ease for the best fit. In the photos above the women's has about 4"/10 cm of positive ease and the men's has 2.5"/6 cm positive ease. Not sure what I mean when I'm talking about ease? Check back later this week for a post all about it!

Hemingway is now available for sale through Twist Collective. You can buy each pattern individually for $7.00 USD or get both for $10.00. You can also find the pattern on Ravelry.

All modeled photos courtesy of Twist Collective/Crissy Jarvis. 



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Using Ravelry to Find a Yarn Substitution

Using Ravelry to find a Yarn Substitution.png

As a designer, my most frequently asked questions is "why is your gauge so weird?" (A: Everyone is different, and I generally prefer densely knitted fabric?), but the second most frequently asked question is do you think X pattern will work in Y yarn? 

The answer? Probably.

The best way to figure out if a yarn substitution will work is to swatch it out and give it a try.

But that's not always practical.

No Need to Fear Substituting Yarn

There's a good chance that the sample itself was done in a substitute yarn. About 50%+ of the time I do editorial designs (for magazines, books, etc.) the yarn I submitted my design swatches in is not the yarn that's used in the final design.

Sometimes I'll go out and buy something if I'm looking for something specific or need a different color, but  I usually do my design swatches from my stash, which mostly contains a lot of leftovers from previous designs. Sometimes, I'm attached to the yarn I send the design swatch in on, sometimes I'm not, but if it's for editorial purposes, it's best not to get attached because it's likely that its going to change. I'd also advise that if you're designing for magazines that your design isn't yarn-dependent for the same reason.

I'm not an editor, so I don't know how the final yarns are chosen, but I imagine it's a combination of trying to have variety,  relationships with yarn companies, desired color stories, etc. 

Cormac is a bit of an oddity in that the sample in the magazine was knit in the exact yarn I submitted with in the exact color I used.  But some of that was because the submission call specifically called for using chainette-style yarn, and there's not a huge number of those on the market, and I specifically did buy yarn for swatching.

How to Choose a Substitute Yarn (if you don't have something in your stash) - Option #1

Maybe you're allergic to alpaca or the suggested yarn is too expensive, or you want something more attuned to your climate, or it doesn't come in a color you like - there are dozens of reasons to choose a substitute yarn and hundreds of choices to sub. How do you narrow it down?

For now, I'm going to assume you generally want your finished sweater to look more or less like the sample (we'll talk more drastic changes later)

Here's where the Ravelry database is going to be a huge help. 

Finding A Yarn Substitution - Ms. Cleaver Chronicles

Step #1 - Look at the suggested yarn page on Ravelry (or on the manufacturers site). Even if you know you don't want to use it. What are it's basic qualities? 

 For Shibui Knit's Maai the basics are this - DK weight, 70% alpaca/30% merino.  So it's mostly alpaca, which is fairly drapey and has a bit of a halo/fuzz factor. The chainette construction makes it  light and "springy" per the description.  Looking at the design, the need for drapey is high - otherwise it would be pretty stiff and boxy, the fuzz factor is less evident. The pattern calls for size 8 needles, which is fairly big for DK, and the pattern is open, so that'll provide some drape there too. 

So to replace it, we're looking for a drapey DK weight yarn. 

Alpaca is drapey, so is silk, bamboo, tencel, and linen. But there's the springy factor too. So you might want a firmer fiber like a bit of wool or hemp or cotton in there to help the sweater holds it's shape a little. Something like the 70/30 blend of the original or up to a 50/50 mix of drapey/firm. 

Using Ravelry to Find a Yarn Substitution - Ms. Cleaver Chronicles

Step #2 - Back to Ravelry, this time  to the advanced yarn search page. To start off I'm going to looks for the following criteria - Not discontinued, dk weight, contains alpaca and wool. This is going to be the closest to the Maai, without being Maai. 

We've got 203 matches there alone.  Let's look at some of our top-provided options. 

Drops Lima - 65% wool/35% alpaca - this could work, but it's a little heavy on the wool side. 

Classic Elite's Soft Linen - 35% Linen, 35% Wool, 30% Alpaca. That's 65% drapey (linen/alpaca). Looking pretty good here. The linen could help make it an even more transitional piece.

Queensland Collection Rustic Tweed - 63% Wool, 27% Alpaca, 7% Acrylic, 3% Other. Again heavy on the wool. It's also rustic and tweedy, which is a bit style shift. 

The Alpaca Yarn Co's Astral -   50% Tencel, 30% Alpaca, 20% Wool. That's 80% drape, so super drapey. It also looks hand-dyed, which could mean alternating skeins in lace. 

Berroco's Fiora - 40% Cotton, 30% Rayon, 15% Alpaca, 5% Wool. 45% firm/ 45% drape (not sure what the missing 10% is). Could work, be a solid choice for a more summery version, but keep in mind that that is a high percentage of cotton, which is heavier than most other fibers. 

What if you look at Cormac and think - forget fall, that'd be better as an awesome beach pullover for the summer? Then you could search for a linen/cotton  or cotton/bamboo blend (drapey/firm) or something similar. 

How to Choose a Substitute Yarn (if you don't have something in your stash) - Option #2

Alternatively, if scrolling through pictures of yarn isn't your thing, you can do a project based-search. In this case we'll search for similar patterns (DK weight, lace, pullover) and see what other people knit them out of.  There's a lot of options, but most of them aren't as open as Cormac, but Amy Miller's Stonecutter Sweater has a good number of similarities (there's nothing new under the sun, right?)

Using Ravelry to Find a Yarn Substitution - Ms. Cleaver Chronicles
Using Ravelry to Find a Yarn Substitution - Ms. Cleaver Chronicles

The original Stonecutter was knit in Lion Brand Cotton Bamboo, so that could be a good choice too. But wait, there's more! Stonecutter has been around for a while, and over 100 people have knit it and if you click the little "yarn ideas" tab, it'll show the most popularly used yarn subs and you have another 2 pages of yarn to choose from (back to the scrolling through little photos of yarn, sorry). 

Already Have a Yarn in Mind?

Maybe you've got something in your stash your'e itching to use up. I've had a few message in my inbox regarding more summer-specific yarn subs for this project, specifically: Berroco Weekend DK, and Shibui Linen. 

Using Ravelry to Find a Yarn Substitution - Ms. Cleaver Chronicles
Using Ravelry to Find a Yarn Substitution - Ms. Cleaver Chronicles

My first stop when considering a specific yarn substitution is to look at projects on ravelry that have been knit up in the yarn that have some similarities to the project I’m trying to do. In this case, a lace garment of some kind. For the left we have an example for the Weekend DK and one for the Shibui Linen on the right

This can give you a good hint of what the fabric would look like. Both of them seem to work in lace pretty well, though I will note the following two things - the yarn is held double in the lace project and that cotton and acrylic don’t block open as well as animal fibers (though linen blocks fairly well). However there appear to be some well-blocked lace projects in Weekend DK, (Also the sample wasn’t aggressively blocked).

In Conclusion

While I specifically designed the Cormac Sweater with Shibui Maai in mind, and tried to take advantage of the specific qualities of that yarn,  it doesn't mean you have to use it! The great thing about knitting is you can make it your own and you have hundreds of options to choose from that will work. 

 



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Raspberry Picking


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Announcing the Cormac Knit Along!

Cormac KAL

I'm so excited to announce that I'm hosting my first knit along!

The fall issue of Knitscene is  out on newsstands now and in it, my Cormac Sweater. I'm super pleased with how this design turned out, and now that I have my own Ravelry Group - I thought it would be a good candidate for a knit along.  

Like the design? Join us - you end up with a finished sweater and could win a fabulous prize pack! 

How It Works

  1. Join the Knit Along Thread on Ravelry.  (Don't have a Ravelry account? It's free to join!)
  2. Start knitting the Cormac Sweater from the Fall 2015 Issue of Knitscene magazine sometime between August 15 and October 15 (or start early! NBD)..
  3. Have fun and share what you're knitting! Comment in the Ravelry thread and share photos on social media with the hashtag #CormacKAL
  4. Anyone with a FO (Finished Object) or (WIP) in the thread as of October 15, 2015 (midnight EST), is eligible to win prizes!

The cast-on part doesn't officially start until August 15, but before then I'll be posting about choosing a size and yarn substitutions to help you get ready. 

You can also bookmark the official knit along page, where I'll be aggregating all the knit along stuff. 

I hope you'll join in!

Photos Courtesy of Knitscene/Harper Point



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