Introducing the Lamassu Shawl

What is a Lamassu?

1. A winged, human headed bull frequently seen in ancient Mesopotamian (modern Iraq & Syria) myth and art - most frequently as looming sentinels at the gates of major cities.
2. My latest shawl design for Quince & Co. yarns

How does one morph into the other? Where that's where the fun of designing comes in!

Back when I was in college, I was a Theatre major and the midst of my Senior year, I decided to swap my English minor for one in Classical Studies, following my increasing interest in the topic. I had an excellent Latin professor (Ortwin Knorr), who got me interested in the subject beyond the language and introduced me to Roman Cookery and the Archaeological Institute of America (of which there are sadly, no Maine chapters).

I had taken a lot of Latin courses, but to complete my minor I took two additional classes: Introduction to the Old Testament/Hebrew Bible and Introduction to Ancient and Medieval Art History.

My textbook for the Art History class is the only one I regret selling back, but it was the Old Testament course that has had one of the longest lasting impacts of any of my school courses. Taught by professor and archaeologist David W. McCreery, this 100-level course was the hardest course I took in my college career. But, as they say, nothing worthwhile is easy.

One day while discussing Noah's flood in Genesis, Professor McCreery mentioned that there was an much earlier, but very similar, version of a Great Flood story that appeared in the Epic of Gilgamesh (c. 2100–2000 BCE). Following class that day, I stayed late to express my interest in the Gilgamesh tale, but as the professor was busy with another student at the time, I merely stated my interest and left conversation for another time.  It was to my surprise then, when at the next class session, he handed me one of his personal copies of the tale (Herbert Mason's verse narrative), with the following inscription:

October 2004 Dear Leah There is a lot to learn from this "oldest story ever told." Enjoy! Dave McCreery

I fell in love with the Gilgamesh story, particularly his adventures with the wild-man Enkidu, so much so that I wrote and produced a play about it. It's a story that's stuck with me ever since. So when I was talking to Quince about doing a new shawl design, it was Gilgamesh, and his Mesopotamian brethren that sprung to mind.

As is the way nowadays, I started collecting some images on Pinterest and I kept coming back to two things, the lamassu and king's beards. There was a distinct texture and style of the beards that the more I looked at it, the more knitterly they seemed. A stitch dictionary provided the trinity stitch that mirrored the curly portion of the beard by the mouth, and some time with swatches and graph paper yielded the banded columns and feathery bits I call Gilgamesh's Beard and Lamassu Feathers.

Since Mesopotamia was part of the fertile crescent, a gentle crescent shape  for the shawl seemed only natural and of course, when given the option to pick my yarn, I had to go with that ancient near-eastern fiber: linen.

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And that is a long story behind a fairly simple shawl.

If you'd like to knit one for yourself, the pattern is available now in the shop or you can queue it up on Ravelry.

And to make the long stretches of trinity stitch go faster, I suggest you listen to the following while you knit (I did!).

http://www.youtube.com/watch?v=SVcvGxEZZwc

Photo Credits:

1. Quince & Co.
2. Lamassu  by Jasmine Ramig
3. Quince & Co.
4. Iran 2007 Persepolis Gate of all Nations by David Holt
5. Quince & Co.
6. Untitled by E.N.K

Introducing: Ferrous

Like I said, last week was a big week for me and today I'd like to talk about the inspiration behind the third and final design released last week, Ferrous.

Ferrous is my second design, and shawl for the locally-based Quince & Co. yarns. Going into fall, I wanted this shawl to be a little bit denser than Alaria and I wanted to feature strong lines.

So my first thought went it came to motifs for the lace was wrought iron fencing (hence ferrous= iron).

The yarn is Quince's brand new 100% wool fingering weight yarn, Finch, in kumlien's gull, one of the limited edition winter heathers.  When Pam asked me if I wanted to work in a yet-to-be released yarn, in a yet-to-be-released colorway,  I was super excited and Finch is springy, cozy and lovely to knit with.

The shawl uses two skeins of the Finch, but if you wanted a larger shawl, you could continue out the lines until the desired length then complete the arrowhead patterns.

Ferrous is available for $6 USD from the Quince & Co. website, or you can queue it up on Ravelry here.

Introducing: Alaria

photo © Carrie Bostick Hoge

Yesterday, I had the absolute and distinct pleasure of releasing a pattern with Quince & Co.

Every since this Maine-based yarn producer opened up shop literally up the street from where I work, I've been a hugefan and when the opportunity arose to publish this shawl pattern with them, I leapt at the chance!!

I still can't believe that that's my shawl up there. It's more to do with Carrie's photography than anything else, but man, I love the Quince photos.

photo © Carrie Bostick Hoge

One of my knitolutions for the year was to design a shawl and I knew I wanted to do something ocean-inspired, without leaning on my usual oceanic blues and turquoises. (Not that I've given up on those). When I picked up these skeins of Tern and saw the colorway was called Seagrass, that settled it.

Alaria (the name is from a genus of seaweed) flows between three simple lace patterns reminiscent of aquatic foliage. The shawl is a traditional triangle shape and all lace work is done on the right side rows only.

The sample was knit in two skeins (about 440 yards) of Quince & Co.'s Tern - a fingering weight silk/wool blend. It blocks beautifully and the silk gives it just a hint of sheen. (I will note that when I knit the sample, it used up all the yarn except for a teeny-tiny amount, so depending a knitter's gauge, it could sneak into a third skein).

As designed, the shawl is a great size for throwing over your shoulders or bunching up as a scarf, and should a larger shawl be required, additional repeats of 24 rows can be easily added to the first and/or second lace patterns.

photo © Carrie Bostick Hoge

You can queue up the pattern on Ravelry, or purchase the pattern via Quince & Co ($6 USD).

Finished Object Round Up

If you're one of my friends on Ravelry, you might have noticed that for the past several months the top half of my project page seemed pretty empty. I had no photos of anything I made in the past 4-5 months - oops!

I blame this on two things - one: I didn't feel like putting on woolly things in the middle of the summer to take pictures of them and two: something I affectionately call That D@#n Sweater.

That D@#n Sweater is the achingly lovely Joy pattern from Rowan's vintage knits - my second and not last project from that book. It's a perfect lightweight cardigan that goes with anything and I wear it probably three times a week these days.

So why the name? Three reasons, it's black, textured and involves the following US needle sizes: 1, 2, 3. All of this is to say, I started it January 28 and finished around July 5th. A nearly six month labor of love.  That said, I'm a huge fan of the finished product, my only caveat is that I wish I had used better quality yarn, it's made from Knit Pick's Palette, which doesn't feel as nice as I'd like and it's already doing some serious pilling, but in any case I'm sure I will wear this cardigan to the bone.

To make myself feel better, this is a project I completed from start to finish in about three days, one which involved a marathon session of watching The West Wing.

The project was inspired by a similar pillow pictured in SouleMama's book Handmade Home, which I picked up at a local book signing a few weeks back. The "bluework" pattern is free on a site called Pattern Bee (which as of 9/10/09 appears to be down for maintenance - the link should be re-activated around 9/16). The fabric is from a fat quarter pack I picked up at Z Fabrics a while back. The whole thing looks very nice on my sofa.

This one you've seen a lot of, but here's me actually wearing that scarf I wove earlier this summer (June). The ladies in my knitting group like to mock me for my consistency in color selection. Looking at the items in this post and my current (unpictured) knitting project, I'd be the last one to deny it. What can I say?  I like the colors of the ocean!

Another scarf photo, in a long tradition of what I like to call the"Book Jacket Photo."

This is Ysolda's Ishbel shawl from Whimsical Little Knits, which I picked up back here and knit in  some hand-dyed lace weight from Pine Star Studio that I got at the Maine Fiber Frolic. I knit it in about 10 days and took about 2 months before I got around to blocking it, which really does make all the difference in the world.

This is my new favorite picture of myself. All of the knitting/weaving photos were graciously taken by Mr. Cleaver while we took a walk around Mackworth Island this Labor Day. Mr. Cleaver joined me in creating the final FO ofthe post, of contribution to Mackworth's village of Fairy Houses.