A Little Bit Country

One of my guilty pleasures in life is Time-Life Music infomercials. There's something endearing about the standard formula of past-their-prime musician + woman-of-a-certain-age co-host + those 5 second clips of unforgettable hits of the 60s and 70s. On a lazy Sunday afternoon Mr. Cleaver and I will merrily let it run for the full half-hour and our ultimate favorite collection is "The Golden Age of Country."

My costume this year is a tribute to the Golden Age of Country, the Grand Olde Opry, and fantastic country songbirds of the age like June Carter Cash, Loretta Lynn, Tammy Wynette, and Dolly Parton in all their big-haired, chiffon-clad glory.

I came across Simplicity Pattern 2180 a few weeks back, and thought it would be the perfect starting point for my costume, but it was out of stock in my size. However a kind friend in my knitting circle picked it up for me on a trip to Augusta, so I was in business!!

I knew the dress would have to have a gauzy chiffon component, preferably in a pastel shade and this Jenny Lewis video inspired me to pick up some lace trimming as well. I treated the seafoam-y tafetta-esque base fabric as an underlining, and sewed the two layers together before making the darts/seams/etc. which made dealing with the top layer chiffon a bunch easier.

It's not the best sewing job I've ever done, I skipped a few steps like the waistband facing and replaced the sleeve cuffs with elastic, but for a Halloween costume, I think it turned out pretty swell.  I'm racking my brain for occasions/places I could get away with wearing this dress in ordinary life, because I kind of love it (and I'm definitely remaking the pattern in a more casual fabric at some point).

Mr. Cleaver joined in on a more modern take on the theme, thanks to a cowboy hat from Target and some clothes from around the house. Our first thought was to do a more "rhinestone cowboy" look (like Buck Owens), but this was easier.

We went to a Halloween party over the weekend, where Mr Cleaver claimed to alternately be Toby Keith and/or Hank Williams Jr.

Even Steinbeck got in on the action (he is from Texas after all).

I even tried to keep the pumpkin in the country theme, though it looks more like a Holstein pig than the cow I was going for.

But while we may look country on the outside, inside we're both still rock ' roll.

PS - thanks to Bristol (and her dad) for the loaner cowboy boots!!

Fall Palette Challenge: School House Tunic

  It's rare that a project comes together quickly for me, usually because I gravitate toward patterns with lots of fiddly details (see dress with bow neckline and pleated sleeves). So while it's been in my to-sew queue for quite some time, the School House Tunic, was a bit out of the norm for me - particularly since I cut it out and sewed up it in about a day.

I made the shirt-length pattern exactly per the instructions with one addition: a button and thread loop mid-way up the placket, which I find to be a neutral additional. It doesn't really add anything, but it doesn't detract either.

The fabric was from my stash, and considering my usual fabric shopping habits, it probably came from Denver Fabrics. The texture is akin to those soft cotton dishtowels, which makes for a very cozy shirt.

I'm not sure if the empire-waist and pleated skirt are the best shapes for my figure, but the shirt is so comfy that I'm pretty sure I'm going to make a at least one more in flannel for the fall/winter and another in white linen for the summer.

Fall Palette Challenge: the Houndstooth Dress

  Even with a trip to the Botanic Gardens, I managed to finish two of my Fall Palette Challenge pieces this weekend, which I'll cover in two separate posts this week.

First up: The Houndstooth Dress

As I said in my original palette post. I saw this dress done up as a sample in JoAnns and knew I had to make it. The pattern is New Look 6909,View C and while I debated about doing the pockets,fearing they'd "poof out" I eventually decided to the pattern as is.

The seams were finished with a zigzag stitch for exposed seams and pinking for covered seams, as the fabric tended to be rather fray-prone (as I find is often the case with woolens). Though it tends to wrinkle a bit more than I like (!!), and the curvy fit makes me feel as if I should be wearing control top pantyhouse, I love this fabric as this dress.

I'm particularly found of the details on this one, the funnel collar, the bow, the pleated cap sleeves, yes, even the pockets and while it took a bit of time nothing was particularly difficult to put together. A declare this one a win!! (especially with the red shoes)

Oh and according to Wordpress, this is my 300th post! So yay for that too!

Fall Palette Challenge

Although historically my sewing tapers off after summer, I've decided this year to participate in Colette Patterns Fall Palette Challenge. The goal - make a unified palette of items within 8 weeks! I'm going to be overly ambitious here with my challenge projects, but here we go!

For the challenge, I'm using all fabrics from my stash. They are (clockwise from top left corner): super pale peach silk charmeuse from Denver Fabrics, large check gingham shirting (source unknown), green stretch twill from Denver Fabrics, and blue/black wool houndstooth from Fabric Row in Philly.

My first project up will be New Look 6909,View C. I saw this dress in a display at JoAnn's and knew I had to make it. The fabric will work perfectly, as it's both warm and work appropriate!

Second up, Clover from Colette Patterns in the green twill. I was so excited to see Colette do a pants pattern, especially since pedal pushers/clamdiggers/capris have been on my to-sew list for ages. If I have time, I'd love to do a pair in black as well.

Thirdly, Sew Liberated's School House tunic in the gingham. This is a pattern that's been on my wish-list for ages and I think the fabric will be a great fit. I'm leaning toward the shirt length version.

If I have time (and I assuredly won't) I'm aiming to use the silk charmeuse for a Cinnamon Slip.

So there's my pieces for the Fall Palette Challenge. I'll keep ya'll updated as I go along, and let me know if you're playing too!

Lonsdale in Bloom

Although my internet pal Tasia at Sewaholic launched her pattern line in November 2010, it wasn't until this week that I finally got around to making one of her patterns, the recently released Lonsdale Dress.

When I first saw the pattern in her newsletter I knew I had to make it, and furthermore that I had the perfect fabric for it. Except that turned out that I only had half as much of it as I needed, in a one-way large repeat pattern and there was no way that I was going to make it work.

So I did some stash diving and pulled out this purple chrysanthemum (?) print I snagged at Marden's on a field trip with Maggie almost two years ago. It was still a one-way pattern, but with a bit of shifting pieces around, I got the whole thing cut out. Which was the most difficult part of the whole project.

I threw caution to the wind with this project and cut it out in my recommended size (all one size! thanks to her "pear-sized" grading) and just went at it  - no muslin, no tissue fitting, no nothing, and it fits great.

Tasia put together a truly lovely pattern. The whole thing is seven pattern pieces, with simple construction, which meant I could take the time to focus and finish the project really nicely. The included instructions are clear and I used the sew-along posts to do some additional details like French-seamed pockets and stay-tape on the bodice. I'm super proud of the way the inside of this dress  from seam finishes to zipper to hem.

I love the way this dress turned out, and if you're reading this Tasia, I can't wait to see what you come up with next!

In the Studio Part Two

Wow, it's been a while since I posted. But with the past month I've had it's not surprising. Here's a quick recap before I move on to new things. Since July 2nd:

• Got a dog
• Mr. Cleaver turned forty
• Released the Smocked Tank

• Tour de Fleece happened and I have about 600 yards of handspun yarn
• Turned 28
• Saw the final Harry Potter movie
• Helped write and turn in our major funding application at work
• Took a business trip to Buffalo and spent inordinate amounts of time in the Philly airport

• Saw an Elvis Costello concert
• Released Alaria with Quince & Co.
• Submitted a potential project packet to a knitting mag
• Painted and revamped my studio
• Knitted a design for another knitting mag to be mailed off today
• Had a giant BBQ in my backyard with over 30 friends and a live band.

Whew! and I thought summers were supposed to be slow!

I'll post about the BBQ later this week, but today I wanted to show off my newly revamped studio space.

As you may recall, when we moved in, the first floor bedroom looked like this:

In the early days of moving in, we stripped the wallpaper and I'd been using it as a studio in this configuration.

While the hearts and bears stenciling was an improvement over the baseball wallpaper, I still wanted an update. So my big birthday request was to paint the studio (I ended up with a much bigger gift than that, but more on that later this week).

There was a heat wave the weekend of my birthday, so we waited to paint until the next weekend.

Steinbeck was very helpful and only stepped in paint once.

The color is Yolo Colorhouse Water .02 - a fantastic blue that looks at alternate times of day anywhere from periwinkle, to lilac, to grey. The trim is the same Air .01 as in the living and bedroom.

The other major change comes from hanging things on walls, particularly the addition of the pegboard.

Pegboard makes me feel so organized.

Some other notable items - the original Ms. Cleaver portrait by Sharon Barto and three old knitting magazines courtesy of Bristol Ivy.

I still want to put some kind of yarn storage on the wall to the left of the loom, crates or hatboxes maybe and eventually all the carpet in house should be replaced, but other than that, I'm pretty darn happy with how it turned out and I can't wait to start making stuff in there!

My Apron Collection

A few weeks ago, Casey of Elegant Musings asked for fellow bloggers to join her in a blog tour of Cherished Collections and having previously mentioned my "wicked apron collection," and made no secret of my love of aprons, I jumped at the chance to share my, wait for it....... aprons as part of the tour.

I'd like to say my love affair with aprons began in my middle school home economics class, when our final sewing project was a simple bib apron. In true 90's style, my featured sunflowers and was sadly lost in my first post-graduation move after college. But in truth, my apron obsession probably came because I lost that apron and needed a replacement.

I picked up another bib apron from ebay, in blue gingham, which I still use, but it was then I discovered the adorable half apron, of which I have now amassed eleven. I used to have an even dozen, but I passed one featuring a chicken off to a friend.

My first, and still on of my favorites, also came from ebay and features adorable pockets in fishy fabric, which I later recreated the shape of for a Christmas gift, when I lived in Chicago.

Surprisingly enough, only one of my collection is one I made (yellow gingham),  with most of my apron sewing skills having been put to gift-making.

A good chunk of my aprons have come from antique stores, where I grabbed them for around $5-6 dollars (black & white and embroidered pink). At least one has come from a garage sale (grey gingham with chicken scratch). A few I can't recall where they came from.

But my most precious one are the ones that have been given as gifts, including the Christmas bells from a roommate, the green hostess apron from a knitting friend, and the rose hostess apron from a co-worker- perhaps my most precious one, because it was her grandmothers. As was the plain white one I embroidered with Raggedy Ann.

And I use each and every one of them, because as they become dusted with flour and sugar, they become all the more cherished to me.

Seals of Approval

Okay, so I think this weekend's sewing project snags the title of the oddest thing I've sewn in my adult life.

Now, when I was a kid I used to take my Grandmother's sewing scraps and use Scotch tape to make outfits for a stuffed bear at her house, but I never imagined that my supervisor at work would ask that I would make a seal bikini, but he did and here we are.

The swimsuited seal and her bowtied beau are the unofficial mascots for my company. The "Seals of Approval" if you will. You can't say we're without a sense of humor.

It all started with this photo of the view out of one of our office windows (not mine unfortunately), that I doctored up as joke

and it led to this:

So, what's the oddest thing you've ever sewed??

Sorbetto and Soft Serve

Mags and I got together for some sewing fun on Saturday and had a surprising role-reversal, in which she worked on a detailed wrap-dress and I whipped out two shirts (and a muslin for some pants, which need a lot of work), one of which ended up as a pajama top because the fabric was crummy, and then there's this one:

The Little Folks voile was the perfect weight and drape for this top. The pattern is the Colette patterns freebie, Sorbetto, which has been making the sewing blog rounds for good reason, as it's quick, easy, and flattering.

A few pattern notes:

• With some careful cutting, I got this out of less than a yard of 54" fabric near the top end of the size range.
• I added about 2 inches to the hem when I cut it out
• Like others have mentioned, the bust dart could probably be 1/2 inch lower.

I think this pattern would look great in a silky solid too. Pretty much anything drapey will work well.

In other ice-cream related news that I'm mostly posting about for my brother, at Maggie's instistance I grabbed a Blizzard at the local Dairy Queen (DQ) this weekend (and supported a local dog rescue).

For the first time in 15 years.

I've avoided DQ's for the the past decade and half due to a overload on an extended roadtrip through the heartlands with my Grandparents at age 12.

So how was the break fast Blizzard? Not bad.  Not great. But not bad.

Just don't make me get the "Hot Eats" ;)

Off to the Races

I've been reading the Sew Weekly for a few months now (even won a pincushion!), but as we know, I am far from the fastest sewer ever, so I've yet to participate in one of the challenges, until today.

This week's theme was "At the Races" and was to be a garment inspired by the Ascot scene in My Fair Lady.

[youtube=http://www.youtube.com/watch?v=hYMSvyqHHwA]

I had already planned on making this tie-neck blouse, but I made one small change to fit the challenge. When I think of the Ascot Scene, I think of how Eliza looks all lady-like and demure, before busting out "C'mon Dover, move your bloomin' arse!" So I took this demure blouse and added a little secret.

Very bright pink buttons that you only catch glimpse of beneath the tie. Buttons, that depending on the light, look either magenta or the hottest of hot pinks.

Oh and we're supposed to wear a hat, so here's the cloche again.

The Facts

Fabric: About $3-4 worth from Denver Fabrics Pattern: Burdastyle Ute - Variation B Year: modern Notions: 5 pink buttons Time to complete: two days First worn: June 2011 Wear again: Yes!

Total Cost: $8-10

I like this pattern a lot, but if you're not familiar with shirt construction, the directions are a bit vague, particularly when it comes to attaching the tie collar (the best part). I'd also recommend using more smaller buttons, than the fie large ones the pattern recommends.  There appears to be some pulling at the buttons in the photos, which would largely go away if there were less space between the buttons (though I'd probably sew this with a tad more ease a second time around too).

I like that this shirt is both dressy and cool, and I'm going to get a lot of wear with it this summer.