Introducing: Zoetrope

I had so much fun coming up with this pattern, though like most of my patterns its seems,  it had a long time going from inspiration to release.

Shortly after I took up running* last year, I quickly learned that if I wanted to run in the cold I would need a good hat and being a knitter, I thought I could create an awesome running hat. I was in the midst of a colorwork binge and thought a running hat with a running motif would be fun, and then I remembered my history of photography class from college and Zoetrope was born.

In that class, one of the photographers we learned about was Eadweard Muybridge, who in 1877 accidentally helped create the motion picture by winning a bet for a friend. The bet was whether or not all four of a horses hooves left the ground while in a full gallop, by utilizing a series of cameras, Muybridge proved that they did (wild times in 1877!).  Muybridge also discovered that by placing the series of images on a spinning disc, when viewed though a single opening, the spinning image appeared to move. Like this!

History lesson aside, I took Muybridge's "Horse in Motion" images and converted them to a colorwork chart, which is framed within a filmstrip. Each of the horse panels are different, meaning that if you spun it fast enough and while looking through a slit, the horse would appear to be running. Or you could just look back up at the animated gif above.

The hat is knit out of Quince & Co's DK-weight Chickadee in Egret (white) and Crow (black). One of my testers also successfully used a fingering weight yarn.

Zoetrope comes in three sizes: 17.5, 20.5, 23.5 inch/ 45, 52, 60 cm circumference, features an optional braided tassel, and, if I may say so, is a little addictive to knit, as once the horses start to appear, I just wanted to keep going.

Zoetrope is available for purchase for $5.00 USD

or you can queue it up on Ravelry.

*haven't really run since.

The Things We Do For Our Craft

Bristol and I headed out to the Falmouth Nature Preserve this past Saturday to do a photoshoot for a pattern I'll be releasing in a few weeks.

The things we do for our craft. :)

Introducing: Alaria

photo © Carrie Bostick Hoge

Yesterday, I had the absolute and distinct pleasure of releasing a pattern with Quince & Co.

Every since this Maine-based yarn producer opened up shop literally up the street from where I work, I've been a hugefan and when the opportunity arose to publish this shawl pattern with them, I leapt at the chance!!

I still can't believe that that's my shawl up there. It's more to do with Carrie's photography than anything else, but man, I love the Quince photos.

photo © Carrie Bostick Hoge

One of my knitolutions for the year was to design a shawl and I knew I wanted to do something ocean-inspired, without leaning on my usual oceanic blues and turquoises. (Not that I've given up on those). When I picked up these skeins of Tern and saw the colorway was called Seagrass, that settled it.

Alaria (the name is from a genus of seaweed) flows between three simple lace patterns reminiscent of aquatic foliage. The shawl is a traditional triangle shape and all lace work is done on the right side rows only.

The sample was knit in two skeins (about 440 yards) of Quince & Co.'s Tern - a fingering weight silk/wool blend. It blocks beautifully and the silk gives it just a hint of sheen. (I will note that when I knit the sample, it used up all the yarn except for a teeny-tiny amount, so depending a knitter's gauge, it could sneak into a third skein).

As designed, the shawl is a great size for throwing over your shoulders or bunching up as a scarf, and should a larger shawl be required, additional repeats of 24 rows can be easily added to the first and/or second lace patterns.

photo © Carrie Bostick Hoge

You can queue up the pattern on Ravelry, or purchase the pattern via Quince & Co ($6 USD).

Introducing: Smocked Tank

Since I first started publishing knitting patterns in earnest back during the spring  of 2010, I've had a significant backlog of items that I came up with and knitted way back when and am only finally getting around to making patterns for them. (See Exhibit A.)

While the Smocked Tank isn't the last of the backlog (there's one more to go), it did take the longest from incubation to actualization. I hope you'll agree it was worth the wait.

I first knit this idea for myself in June 2008. So, um three years later, here's the finished product. Graded for  bust sizes 30 (32, 34, 36, 38, 40, 42, 44, 46, 48) inches/ 77 (81, 86, 92.5, 97, 101.6, 106, 113, 117.5, 122) cm.

Knit in the round from the bottom up, the tank is very fitted, with curvy side shaping and is finished off with i-cord straps.

The tank utilizes 455 (495, 525, 585, 620, 670, 700, 720, 765) yds of worsted to aran weight yarn with a significant silk, bamboo, or rayon content for drape and sheen. Knit to a gauge of 18 sts and  24 rows = 4”/ 10 cm in Stockinette stitch on size 10 US / 6 mm needles.

The sample was knit in Berroco Ultra Silk in 6138 Lilac; 98 yd/90 m per 50g/1.76 oz skein; 40% Wool/ 40% Nylon/20% Silk, which has since been discontinued.

So if you need a quick summer knitting project, with a bit of a romantic flair,

the pattern can be queued up here, or downloaded for free  via the links below:

Introducing: Domenic

To ring in the start of spring, I'd like to introduce my newest pattern, Domenic.

Domenic was inspired by my little cousin once removed. When I found out he would be soon be joined by a little sibling, I told him I'd like to knit a toy for his little brother or sister and asked him what kind of animal he'd think they'd like. After a little thinking (and a little encouragement from mom) he decided resoundingly - a duck!!

Domenic is knit in the round from the bottom up and features a short row tail. The wings and beak are picked up from holders and worked using the magic loop technique. Knit seamlessly in a sturdy cotton yarn, Domenic can handle a lot of cuddling and go in the wash.

The Stats:

Finished Size: 11 inches/ 28 cm tall.

Yarn: (MC)1 skein Lily Sugar ‘n Cream Solids in 18010 Yellow:  200 yd/ 184m per 113g/4 oz skein; 100% Cotton. (CC)1 skein Lily Sugar ‘n Cream Multi in 19605 Creamsicle: 150 yd/ 138m per 85g/3 oz skein; 100% Cotton.

Scraps of black or dark-colored yarn for eyes. Several lengths of scrap yarn

Gauge: 20 sts and  26 rows = 4”/ 10 cm in Stockinette on size 6US/ 4 mm needles.

Needles & Notions: Size 6 US / 4 mm circular needles in 24 and 40 inches. Set of Size 6 US/ 4mm double pointed needles (Adjust needle size if necessary to obtain the correct gauge.)

Removable Stitch Markers Tapestry needle Polyester stuffing

You can queue up the pattern on Ravelry or you can purchase the pattern here:

$5 USD

Introducing: Fisherman's Wife Beret

This pattern is a long time in coming. I knit the first version of this beret back in 2006 in a cream-colored bulky yarn and still wear it all the time. The pattern is inspired by fishing nets, and is the kind of thing I imagine a fisherman's wife would make and wear while waiting for her husband to come back from a long trip on the seas catching swordfish.

The pattern came to pass when my friend Bristol approached me to make it into a pattern to feature SuriPaco's bulky farm yarn. (Full Disclosure - I received yarn support and compensation from SuriPaco for the use of the pattern.)

The yarn is a 75/25 alpaca/wool blend in a superbulky single ply.

The hat features a simple k1, yo lace pattern and can be completed in a couple of hours - if you have any last-minute knitted-hat needs.

The pattern can be downloaded via Ravelry.

The hat is knit at a relatively tight gauge, and the yarn is bulky and fuzzy enough that it stays warm in spite of the lace holes.

That said, I wouldn't recommend taking photos of yourself outside in 33°F weather with falling snow. It took forever for my hands to warm back up! I think I need to make myself some new fingerless mitt for photo-taking :)

Introducing: krona

Back in July, when Amy & I met-up at Knit Wit to check out the Quince & Co. Yarns, we both decided that we wanted to design something new with it. In making this project, Quince & Co.'s Chickadee has quickly become one of my new favorite yarns - and it's seemingly endless color range has pushed me into a bit of a colorwork phase.

As soon as I had my colors in my hands I knew I wanted to do some kind of diminishing colorwork pattern with the yellow fading into blue.  The color combination also had me thinking of the Swedish flag, so I did some internet searching for inspiration and came up with the concepts that became krona. Krona means crown in Swedish and a Swedish crown is both the literal  Swedish royal crown as well as a braided hairstyle, both of which I tried to reflect in this pattern.

The braided band on both the tam and mittens is knit flat and seamed, and then the main pattern stitches are picked up from the band edges and knit in the round.  The mittens are identical on the front and back and can be worn on either hand.

Because Chickadee is a sport-weight yarn, I lined the mittens from the braided band up for extra warmth.

The tam sports the same colorwork pattern as the mittens, adapted to the hat shape. The tam is designed for head 20-22 inches in circumference and sits shallowly on the head.

I received a good deal of good-natured ribbing from my knitting friends while working on this pattern, because I tended to unconsciously match my outfit to my knitting (does anyone else do this?), so my outfit in the photos is a tribute to the Portland Knitters on the Town.

You can queue up the tam and mittens on Ravelry.

You can buy the patterns individually Mittens - $5.00 USD; Tam - $4.00 USD; or together for a $2.00 discount

Introducing: Knoll Rib Cowl

As anyone who knows me knows, when it comes to yarn, I have one of the world's smallest stashes. So it is perhaps surprising that this pattern came from the need to knit a yarn that sat in my stash for exactly two years.

Back before I did any spinning myself, I picked up a skein of handpsun from the booth for Enchanted Knoll Farms at the 2008 Common Ground Fair, weeks after I moved back to Maine.

I was in love with this yarn and called it my Rumpelstiltskin yarn, since it looked like straw spun into gold. (It's true name is Gold Dust Woman). I admired the yarn and petted the yarn and could come up with nothing worthy of this yarn.

Fast forward to September 2010. Faced with the need for a simple knit and feeling as if I had neglected this prize yarn for too long. I picked up my needles and tried to find a good stitch pattern for a scarf. My first attempt resulted in something that looked overwhelming 1980s in style, so I frogged, did a garter stitch sample, thought that was too boring and went back to the books.

I flipped through my stitch dictionaries and came across a squishy-looking rib stitch, which I promptly memorized incorrectly, and thus, came up with my own stitch pattern. I'm sure that this was not the first time something like that had happened.

As I neared the end of my then-scarf, I decided that the short length (about four feet long) would work better as a cowl, so I seamed it up, blocked it out, and there you have it.

I think this worked out as a perfect way to display a limited amount of a lovely handspun yarn. I used pretty much every inch of the 200 yards in my skein, but the cowl stretched a lot both ways when blocking, so it could take less if need be.

In case anyone else finds themselves in my predicament (lovely handspun, limited amount, no clue what to do.) I whipped up the pattern last night. You can grab it as a free download, using the link below.

download now

Introducing: Winterberry

I hope no one minds seeing a very woolly pattern with winter in the name in the midst of spring (at least in this hemisphere), but I'm so excited to finally get this pattern out in the world that I couldn't wait for more appropriate weather.

This hat and glove set is one of those "necessity is the mother of creation" projects. In back in late 2008(!), my dear friend Kasey requested some knitted elbow-length gloves to go with a 3/4 sleeve coat she had purchased. I was happy to oblige and even though I'd only made a pair of Nordic mittens and no gloves at all, I decided that I needed to design the gloves myself.

At the time I was heavily inspired by the winter berries that were adding splashes of color to the otherwise gray trees in my neighborhood and having just finished Stephanie Japel's Forecast Cardigan I was well acquainted with bobbles - all of which led up to these gloves:

The structure didn't change all that much from these originals, with the exception of the thumb, which was improved in the final version.  The red gloves were knit in Ultra Alpaca, which was soft and lovely, but was lacking in the stitch definition I thought the cable panel needed and the sturdiness which gloves require.

For the final version, then I chose to knit with Peace Fleece Worsted in Antarctica White, which I found to be a very flattering shade.

With both the Peace Fleece and the Ultra Alpaca, the gloves used a skein and just a teeny bit of a second skein - usually just to finish the fingers on the second hand, so I decide to work up a beret with a complimentary cable pattern. Aside from the cable, the beret is a simple knit, but is just the right size for pulling down over the ears for true warmth.

The patterns requires some cabling without a cable needle, which is fully explained in the pattern notes and the gloves utilize a 8-row cable repeat, with row counts at the end of each section to keep on track.  The gloves are fitted from elbow to wrist and the hat ribbing is knit on smaller needles to remain cozy for a multitude of head sizes.

If you're interested in making a your own Winterberry set, you can purchase the pattern in PDF form for $7.00 USD  via my Ravelry store or the PayPal link below:

Sketchbook: Designing the Carmel Clutch

As I hinted at a few posts back, I have pattern in 2010 Spring/Summer issue of Twist Collective.

It's my first professionally published pattern and I'm thrilled to be in such a great magazine in the company of designers I really admire.  I'm super excited about the whole thing, so I thought I'd talk a bit today about the Carmel Clutch came to be.

It started with a hat.

This hat.

Which I bought on out-of-season clearance at LL Bean a year or so ago. After I bought the hat I spent some time looking at it and realized that it was crocheted. This got me thinking, surely if you can crochet with raffia, you can knit with raffia. So I went out to a craft store on my lunch break and bought a cheap bag of raffia to give it a try.

I wanted it to have a woven looks, so I flipped through a stitch dictionary or two and came up with a swatch of herringbone stitch.

My original swatch had a half dozen knots on the back, since the raffia from the craft store came in pieces of about 3 feet long, but it was enough to know that the concept worked.  So I worked up a sketch, named the pattern after the beach community in California that I visited a handful of times in my teenage years, sent it off to Twist, and crossed my fingers.

I got the okay from the Twist folks and we decided to work up two samples, one in raffia and one in a more standard yarn, which I was more than happy to do. While I waited for the Elann Coto Canapone to come in I ordered a few spools of raffia from Raffit Ribbons and got to work.

Here's where you may ask, what's it like knitting with raffia? And the answer is not too bad. It's about equivalent to working with any other plant fiber yarn I've worked with (cotton, hemp, linen).

It's stiff off the spool and there's not a lot of give when dry and I'll admit that the purl stitches in the garter stitch sections of the bag were kinda pokey, but believe me - I've never had so much fun blocking a piece of knitting. the texture changes dramatically after it's wet and softens into something lovely!

I had finished version 1.0 of the bag, but wasn't happy with the front flap, which was done with decreases. It was too pointy and bumpy - so I set it aside for a day to decide how to fix it. I picked up some personal knitting, and while working on a version of Laura Chau's Just Enough Ruffles Scarf, the solution presented itself to me - short rows! So I pulled out the front flap and reworked it in short rows with the addition of the garter stitch border seen in the final photos.

Around this time the Elann yarn arrived and it was Christmas and I went to California for a week and did no knitting at all so by the time I was knitting the Coto Canapone version I completely forgot to take pictures. Oops! But suffice it to say, I reworked some numbers for gauge.  We also made the second sample shorter to combat potential flopiness (which if you find is an issue with your yarn I'd suggest lining it with fabric backed with interfacing or putting a book in the bag - both work :) )

A big thanks to Twist for including me in this issue and to Caro Benna Sheridan for the lovely photos! If you have any more questions on the Carmel Clutch - let me know!